Male vocalist sounds. Only heard it on rock radio recently and haven't caught the lyrics.
submitted by So in Spectre, it's revealed that Blofeld has been monitoring Bond, his childhood rival, for a long time, designing all the adversity Bond has gone through while he builds a criminal organization. So I think that the classic Casino Royale song is him taunting Bond.
Let's break down the lyrics (I admit not all lyrics fit)
"When the storm arrives/would you be seen with me/by the merciless eyes I've deceived"
In this is he reveals his connection with bond, and how he's pulled the wool over both Bond and MI6's eyes, and wondering aloud if Bond will be implicated by association.
"I've seen angels fall from blinding heights/but you yourself are nothing so divine/just next in line"
These lines refer to how Bond is far from the first man he's ruined, and that Bond will not stop him. We've seen SPECTRE destroy countless other good people (Vesper, Mathis, M (to an extent)). This simply shows Blofeld's confidence that Bond will fall as easily as the others.
"arm yourself because no one else here will save you/the odds will betray you/and I will replace you"
Bond has gone rogue countless times, with no support from MI6. Blofeld's telling Bond that his luck will run out eventually ("the odds will betray you") and then refers to Bond's obsolescence (discussed in Skyfall and Spectre) and how C's program will replace Bond.
"The coldest blood runs through my veins/you know my name"
That line's self explanatory. Blofeld is hinting at how he's a figure from bond's past.
I think I've made a decent case, but this is getting long, so If you want me to explain how more lyrics relate I'd be happy to.
submitted by Music has always been a huge crowd puller for Bollywood films, and nowadays even more so. A couple of days after a trailer is released, the songs start pouring in and are played everywhere do drive the hype for a movie.
But iirc, this was not the route Dhoom 3 followed. I remember Aamir going with the idea that less is more for the movie's promo. Hence, we never saw/heard the songs from the movie before its release nor were they used to market the film. I think the title track was the only song released in full before the movie.
This seems to make the BO performance of D3 even more impressive. On the contrary, it can be argued that people's curiosity to discover the songs drove people to theatres.
Just a random thought on the BO performance of D3. How do you rate the soundtrack of the movie?
submitted by I'm gonna go with reverse reveal (al a David Letterman)
Brief context. Without fail almost every year for about the last 10 years I have watched every Bond movie but not always in release order, just in the order of how I feel like watching. Now that I have completed my 2020 rewatch, I saw other top tens, I decided to play too!
- On Her Majesty's Secret Service
I never know how to feel some years with this movie. I do think it's incredibly important and I do think it's got a weird structure to the narrative that I think messes with the flow. While I enjoy the meta humor at the beginning, I do think it's a bit heavy-handed and unnecessary but it does sneak in as my number 10. It kind of jostles with The living daylights and Spectre for that ten spot
- Moonraker
While I agree that the spy who loved me is a ton of fun, I still come back to Moonraker as a more enjoyable film. It doesn't take too many lulls in the action and it has a far more interesting villain than its predecessor while still maintaining Jaws as a carryover. I love the set pieces and the rationale of killing humanity is, both a scary thought, and a sort of Thanos like mission.
- License to Kill
First and foremost, I am a big Timothy Dalton fanboy. I think he was a severely underrated. I think between his two outings, I prefer this movie. Very rarely would you see the main character take those sort of hits and punches and cuts and scrapes but in Dalton's time Bond was his most dark and real. And those are the qualities I think I appreciate in comparison to the more campy feel of Roger Moore.
- Tomorrow Never Dies
While I think Pierce Brosnan maybe had two films that were good, I think those good films were exceptionally good. And this film still speaks to the issues of today because of how great and scary a villain like Jonathan Carver is in the now reality of fake news. This was so ahead of its time and I think my appreciation for it only grows with every passing year that I watch it.
- Casino Royale (2006)
So if it wasn't already obvious that my enjoyment of Dalton has led to my very real enjoyment of Craig. Call it a reboot if you want or not I just still enjoy it. Love the opening sequence, love the opening track, love the banter with Vesper and how that plays out through the film. And then re-watching it with that knowledge almost makes these small choices in the film more interesting. I noticed more details that were really clever when I would rewatch this.
- Thunderball
I'm just going to get this out of the way before you work your way down to the end. I do not like From Russia with Love. I think it's boring. That movie puts me to sleep every time I watch it. But Thunderball I enjoy it so much. I love that it continues the Spectre lore. I love the locations, the vibrancy of the scene. Yes, sure, you can easily make an argument that the climactic fight scenes at the end are bit meh and I'll concede that but I think I just enjoyed so much of this film that it makes up for it. I think I just enjoyed a movie where Bond was actually trying to be a detective.
- Live and Let Die
This may be a random addition to some but something about Live and Let Die just sticks with me. I so badly wanted that villain to succeed because I thought it was really clever and unique at how they set up his plot. The henchman are so much more interesting than most other villains we get in this franchise. And yes I can totally agree that there are questions regarding the black-splotation that this is being inspired out of but given what existed in bond up to that point I enjoyed at least having that injection of diversity, not just in plot, but also in cast. It also moves away from the spectre stuff to talking about drug cartels and diplomatic manipulations was really different and refreshing.
- Goldfinger
I mean, what is there to say? So much of the iconography of this franchise was born out of this film. This is definitely one of the Bonds I can easily just throw on any day, at anytime, and enjoy it every time. I enjoy the plot and the villain's machinations. I love the song. The car and chase scenes are incredibly iconic and it's also one of the few films that is latent with critical acclaim and awards as well. So while many other films have come since I still stand by a Goldfinger as one of the best.
- Goldeneye
I know I've seen some chatter in this subreddit about the importance of The Spy Who Loved Me and I would say that this film holds just as much of that importance. If you go and read about the history of this film, everything was on the line. Great track for an opening sequence, iconic moments and scenes with some sharp lines, excellent villains and henchwomen. And sure while I wish Sean bean didn't have to die in every film, I thought he was so good in this. Then given the recent events of that satellite installation actually falling apart to this past year kind of adds a little extra sting to re-watching it.
- Skyfall
I do think that maybe I'm one of the few that really thinks this film checks every box and just knocked it out of the park. Aside from what felt like a throwback to the old days when you have Adele singing that opening track, that is so haunting and moving. A film where Daniel Craig's Bond seems so much more Mutlu dimensional. And then having the last of the pieces (Mallory/Moneypenny/Q) of this new universe coming together before they flip that switch and hit you in the heart at the end of this film. Let alone how good Javier Bardem is and the sort of technical prowess with which he attacked MI6 seems so authentic for our times.
And in short you may have noticed a common theme that a lot of my rankings aren't just about how I think but it is hinged a lot on the villains in these films. Bond is only as good as his adversaries and I think in this collection of 10 films these were some of his best adversaries.
So whether you agree or disagree I do appreciate you following my random brain droppings and I'm excited to read other people's top 10s beyond that. I hope you all are doing well staying safe and enjoy this coming year. I hope it is nothing but good tidings for you all and come next Thanksgiving I'll be rewatching these all again!
She is not someone i'd usually listen too. Gave it a try, really hated it. Second try, "humm...meh". Now i've listen to it around 30 times in a day and i think it's a really, really great song, and probably one of the best Bond themes ever. It does feel like it's missing something, but Zimmer's work is fabulous and the chorus is beautiful and really well written, considering she is just a kid. Thinking about it, this would have been a great ballad for Vesper and Bond. In fact, listening to it remeinds me a lot of Casino Royale.
So, post 95:
1- Skyfall
2- You Know My Name
3- Tomorrow Never Dies (I think this song is incredibly underrated.)
4- Goldeneye
5- No time to die
6- The World is Not Enough
7- Die Another Day (I know people hate this song but i actually think it's very cool.)
8- Writing´s on the wall (It kind sounds like something a member of a 90's boys band would have done solo)
9- Whatever Alicia Keys did
submitted by 2006's Casino Royale is my favorite James Bond movie. No disrespect to the Bonds who came before but Casino Royale had me engaged from beginning to end. After the ridiculousness of 2002's Die Another Day (Seriously? An invisible car?), I really liked to see a Bond movie more grounded in reality. I love the action, the villain, the Bond girl, the theme song by Chris Cornell, I simply love it.
I can't say the same for the next installment, Quantum of Solace. For me, this is the most forgettable of the Daniel Craig Bond movies so far. Everything I loved about Casino is the inverse. Instead of a great villain in Le Chiffre, we get the boring Dominic Greene with a boring plan and boring base of operations. At least in past bad Bond movies there was some entertainment value. Here, I don't remember a single memorable action sequence or character. The only thing I remember is Bond leaving Greene in the desert with only a can of engine oil to drink. That scene reminded me of Hitman: Absolution (If you played the game you know what I'm talking about).
All in all, I'm not a huge fan of Quantum of Solace. Maybe it's because it's a mediocre movie sandwiched between two much better movies. I also hear the 2007-08 Writer's Strike impacted the writing of the script which explains a lot.
submitted by Hey everyone, we’re continuing with the Craig era with the most “it’s underrated!” “No it’s not, it sucks and you know it!” “You take that back!” “No you take THAT back!!” Film in in the entire franchise maybe, with the fast paced, breakneck direct sequel to Casino Royale, Quantum Of Solace.
Frequently panned for it’s flashy quick cuts and boring villain, but also frequently lauded for its David Arnold score and it’s exciting action (even if it’s often hard to make out)
It’s also frequently laughed at due to its theme song, which has a cool instrumental but fails to work at all when jack white and Alicia keys’ vocals are clashing over the top of each other.
Leave your thoughts and scores down below or save them for when this inevitably happens again a few months down the line, whatever, up to you.
See you next week for a personal favourite of mine, skyfall.
submitted by Note: I'm going with whatever is playing in the title sequence. This means that I'm going with instrumental pieces over "The Look of Love" and "We Have All the Time in the World", and using the instrumental version of "From Russia With Love".
27: Die Another Day (Die Another Day): OH GOD GET THE ELECTRONIC BURNING OFF ME! This is possibly the worst song I’ve ever heard. Staticky, stuttering, and has the incomprehensible lyric “Sigmund Freud - analyze this, analyze this, analyze this”. Yes, Sigmund. Please do. I surely can’t.
26: Another Way to Die (Quantum of Solace): Ghastly lyrics, barked-out singing, a choppy melody…a terrible song for a terrible movie.
25: Never Say Never Again (Never Say Never Again): You have not lived until you have heard Lani Hall incoherently whisper “Never, never say never again, never, never say never again”.
24: License to Kill (License to Kill): I feel like “Got a license to kill” was said fifty times in five minutes. This might be slightly higher if it weren’t so long.
23: A View to Kill (A View to Kill): This hurts my ears.
22: The Living Daylights (The Living Daylights): This also hurts my ears, although maybe a tad less.
21: The Man With the Golden Gun (The Man With the Golden Gun): There’s at least some real energy here, but those lyrics are asine—“"His eye may be on you or me / Whom will he bang? / We shall see”. As the poisonous cherry on top, Lulu’s singing is absurdly over-articulated.
20: For Your Eyes Only (For Your Eyes Only): Slow, bland, and ponderous—but at least it’s never unendurable.
19: Tomorrow Never Dies (Tomorrow Never Dies): Outside of the decent chorus, this is the most forgettable song in the series, and it drones on for five minutes.
18: Writing’s on the Wall (Spectre): I want to like this one. The lyrics are good, the melody is outstanding, and Sam Smith’s godawful squeaky falsetto singing kills it all.
17: Moonraker (Moonraker): Too slow and subdued to distract from the ridicous lyrics (“"Just like the moooon / ray kergoes / in search of his dream of gold”). Still, it’s hardly unendurable like some other songs we’ve covered.
16: All Time High (Octopussy): Just passable—often energetic, mostly boring, always profoundly average.
15: From Russia With Love (From Russia With Love): The new theme is pretty sleepy, but the snippets of the Bond theme at the start and end more than make up for it.
14: Casino Royale (Casino Royale-1967): A fun, jazzy instrumental, but nothing more than that.
13: You Know My Name (Casino Royale 2006): Nicely energetic with clever lyrics, but somehow I don’t love it. Maybe it’s the shrill singing.
12: You Only Live Twice (You Only Live Twice): I probably like this slow ballad (not a Bond trademark) more than I should, but the lyrics and singing appeal to me.
11: On Her Majesty’s Secret Service (On Her Majesty’s Secret Service): A nice, propulsive instrumental (the last one in the series).
10: No Time to Die (No Time to Die): I get why people don’t like this, but I find the moody slowness interesting and even a little haunting.
9: Goldfinger (Goldfinger): Go ahead. I can take it. It’s good, but it’s not that good.
8: The World is Not Enough (The World is Not Enough): Very possibly the best lyrics of the franchise (I especially like “The world is not enough / But it's such a perfect place to start, my love”), and a strong performance from Garbage (not an intuitive choice for a Bond theme, but a good one). Not quite in the upper echelon, but close.
7: James Bond Theme (Dr. No): I mean, it’s the fucking James Bond theme. What more do I have to say?
6: Nobody Does it Better (The Spy Who Loved Me): The simple, low-key style doesn’t sound like a natural fit for Bond, but the song is so good I don’t care. One of the most fun themes to listen to.
5: Goldeneye (Goldeneye): Strange lyrics, but one of the best voice performances in the series—slinky, smokey, and with something of a cruel edge as well. The melody is also outstanding.
4: Diamonds Are Forever (Diamonds Are Forever): I love this song. Great romantic melody, glamorous singing, and lyrics about…wanting to fuck diamonds? I don’t know why, but it works incredibly well.
3: Thunderball (Thunderball): Tom Jones gives the best vocal performance in the entire series, completely making up for lyrics like “He strikes…like Thunderball!”
2: Live and Let Die (Live and Let Die): Disclaimer: I like or love basically everyone of Paul McCartney’s albums, and I know that’s a minority opinion. But this is one of his very best, three minutes of pure musical delight peaking in the exhilarating “give the other fella hell…” bit that always makes me stand up in my seat. The lyrics are beside the point.
1: Skyfall (Skyfall): A masterpiece. Dramatic lyrics, incredibly intense melody, and Adele singing the hell out of it. Not just the best Bond theme, probably in my Top 10 songs of all time as.
submitted by Over the last week I read Ian Flemings first James Bond novel Casino Royale for the first time and later re watched the movie. Here are some thoughts on both, including a comparison of similarities, differences and the over all enjoyment I get out of both of these pieces.
Technical aspects: Casino Royale (novel, 1953), written by Ian Fleming [27 short chapters, around 250 pages, depending on edition]
Casino Royale (movie, 2006), directed by Martin Campbell [144 minute runtime]
Before diving into further comparisons, there are
two obvious, but also
significant differences between the movie and the novel. The first being the
time it is set in, both are contemporary to their release date. Meaning the novel is set in the Cold War whereas the movie is set in the 21 century. Because of the resulting differences in international relations historically speaking, you could transfer it (but you don't have to) to the second difference. Flemings novel is a
political espionage thriller, whereas Campbells movie re-boot is basically an
action movie.
----------
Structure: The over all
plot of the movie is very similar, nearly identical to its source material.
James Bond, a fresh 00, is set in a high stakes Poker game against Le Chiffre, a desperate (& near bankrupt) banker working for terrorist organizations. Bonds allies are Mathis, Felix Leiter & Vesper Lynd. Bond wins the money, Vesper & him get captured, following the torture, Le Chiffre being interrupted/killed by a member of a mysterious organization. After Bond & Vesper seek a happy life, the latter is confronted with her "real" identity/past & kills herself, leaving Bond emotionally broken & eventually cold.
As said in my first paragraph, Flemings novel isn't an "action" novel. There is an early assassination/botched bomb attempt in the early chapters (similar to the airport sequence) but it's nowhere near as action heavy as the movie, which follows
parkour chases,
knife fights & bus/plane explosions, stairway fights & the closing crumbling house set piece. Narratively Bond
meets his allies way earlier, in the movie Vesper & Mathis are introduced around an hour in, whereas in the novel already in the first few chapters, Felix Leiter is introduced very late in the movie and only after Bond is struggling in the Poker game. The whole Dimitrious, Ellipse stuff isn't in the novel.
----------
Main characters: - James Bond: Bonds portrayal is very close to the novel. He's described as a very tough man, perfectly shown by Craigs physical appearance, his hard & masculine face & the early corporal fight scenes & chases. His attitude fits the source material. Bond is smart & charming, but he can switch of in any moment to being a ruthless killer.
- Vesper Lynd: A big part of Vespers character in the novel is her beauty. There are long passages describing everything about her body & face. She certainly is beautiful in the movie, played by the gorgeous Eva Green. Yet in the movie she comes across as much more independent & aware. She's smart in the novel, but much more worthy in a psychological duel with Bond in the movie. In both the movie & novel she is a double agent, who got blackmailed & had to take this identity in order to save her boyfriend, but then fell in love with James.
- Le Chiffre: Le Chiffre, in both movie & novel is a scary fucking dude. There still is something a bit charming about Mikkelsen presence though. He's described as considerably ugly in the novel, and basically as the epitome of evil. In the movie he comes across as more "human", desperation etc (make no mistake he's a vicious bastard, but he's not the devil).
- M: The obvious difference is the gender swap in M. In the novel, Bond respects & in some way even fears M. The Bond/M relationship of Flemings books never really translated onto the bigger screen (it's tough to find someone intimidating against the charisma of Connery to be fair) so the change is an interesting touch. While he certainly respects Judi Denchs M, there is more slick and clever dialogue coming out of the conversations.
----------
The Poker Game: The Poker game in the novel, as basically all of it, is set in
France, whereas the movie jumps around Madagascar, the Bahamas, Venice &
Montenegro, the latter being the setting of the poker game.
Also, in the novel they play Baccarat, which was very popular at that time, in the movie they play Texas Hold 'Em, which (surprise) was popular in that time. The game itself is similar structured, back and forth until Le Chiffre wins a big one and Bond is in huge desperation but comes back in the last round winning all of it (with the help of Felix Leiters money).
In both movie & novel, Le Chiffre tries to prevent/"attack" Bond during the last hand. In the movie he gets poisoned, which nearly causes him to pass out. In the novel, he is directly physically threatened by a bodyguard of the Le Chiffre with a gun under the table/chair.
--------
Remarkable similarities: - Practically the entire torture scene is directly taken out of the source material. Bond gets stripped naked and tied up to a chair, then punched to the balls multiple times until the near pass out. Only difference is that in the movie Le Chiffre uses a rope, in the novel it is a carpet beater.
- Some dialogue & lines are extracted out of Flemings novel. Such as the VespeMartini order.
>
Three measures of Gordons, one of vodka, half a measure of Kina Lillet. Shake it very well until it's ice-cold, then add a large thin slice of lemon peel. Got it? Or the iconic line.
>The bitch is dead.
---------
Other differences: - The whole Mathis alleged double cross plot point only appears in the movie.
- Vespers double cross, signaled by her seeing the man with the eye patch is left to a good bye letter in the novel that Bond reads after she'd poisoned herself. In the movie, she gives the man with the eye patch the money briefcase and after the shoot out in Venice, she traps herself in the elevator and drowns in the crumbling house.
- In the books, the mysterious organization is SMERSH, a russian anti spy organization. In CR it is still unnamed, though in the later Craig films revealed to be SPECTRE.
- The book ends very depressing as her betrayal letter is the last thing. The movie ends on a higher note with Bond capturing Mr White & ending the movie in his iconic introduction lines.
---------
I have certainly missed a ton of differences of both, but I feel like I have done enough to highlight most of them. Here are some of my personal
thoughts: The novel: I had a ton of fun reading it for the first time. It's certainly colder & much more serious than a lot of James Bond movies but I liked that it felt more grounded and had espionage instead of thrills. There is a lot of political subtext added by Ian Fleming that reflects on the cold war and on spy agents themselves. It also features some great insight on the Poker game as Bonds mind is on full display with mathematical & stochastically relevant information throughout every hand. I think it ends on a very depressing and sad note, setting the tone for the character to come.
The movie: I have always considered Casino Royale to be
one of my favorite movies of all time. I think it's head and shoulders above every other James Bond film and every time I watch it I discover new things I love about it. The way the movie starts, with the cold blooded double-O earning in a noir fashion, then goes over to the gorgeous credit sequence with so much ingenuity sprinkled across it, is amazing. I'm also amazed by the
action the movie has. The Parkour chase has some terrific stunt work & innovation. Or the airplane sequence is packed with enormous tension and suspense. Or the closing Venice shoot out is packed with bad ass moments by Bond. A lot of my love for the movie also comes from the
cast. It does contain my a.) favorite Felix Leiter (played by Jeffrey Wright), b.) favorite Bond girl (Vesper Lynd by Eva Green), c.) the best M (played by Judi Dench) and one of my favorite Bond villains (played by Mads Mikkelsen, who is as terrific as ever).
Martin Campbell has rock solid directing, focussing on the great stuff of the source material and just like in
GoldenEye knowing how to introduce a new Bond & a new way of Bond into the franchise.
Daniel Craig is relentlessly amazing. He has the charms, he definitely has the looks, he is believable in the kills, he has a soul, he has a heart, he has emotion. Only Connery is better. The movie also looks gorgeous. Not only its vast settings of exotic locations, beautiful women, high class restaurants, cafes or hotels, pieces of clothing and so on, but also its sharp image and cinematography, by Phil Meheux is astounding. Despite being literally written by three people it also contains some ingenious dialogue. Especially the Bond/Vesper interactions flow so crisply and soft. It's a joy to watch every second of it and I could be talking about it for hours.
All in all, Casino Royale is a great novel and in my opinion, an even greater movie which is a faithful adaptation but also adds many layers and new things to it, knowing that it already is part of a 20+ movie series and therefore adding nostalgia, references or treating its timeless main characters legacy with honor and self reflection.
What do you think about Casino Royale, both the novel & the movie?
“You know my name” (Casino Royale theme) by Chris Cornell (if you REALLY listen to his words) can be used as a direct metaphor of going into the psychedelic experience.
“Skyfall” (Skyfall theme) by Adele can be used as a metaphor for someone trying to enter ego death
Random thought, probably won’t get to much attention but i thought about this as I rewatched the Daniel Craig bond movies.
Edit: I’m not saying these songs were written to directly reflect psychedelics but they can be used if you connect the two
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SUBSCRIBE for new videos: http://bit.ly/1RPufTRCheck out more MovieSounds: http://bit.ly/1Gki8wWChris Cornell - You Know My NameMovie © Columbia Pictures You Know My Name performed by Chris Cornell from Casino Royale. Here's my un official James Bond hd music video. Theme from the 007 soundtrack. This 2006 tit... ...since I'm uploading spy-themed soundtracks, here's one of the best ever!The ORIGINAL "Casino Royale!"(This was dubbed from an exceptionally clean original... none of this is my inventionlyrics-If you take a life Do you know what you'll give? Odds are you won't like What it Is. When the storm arrives Would you be s... James Bond Casino Royale Theme "You Know My Name" The main title theme to the 1967 James Bond spoof 'Casino Royale' and the first track of the soundtrack composed by Burt Bacharach (taken from the original v... The Name's Bond...James Bond, Soundtrack from the Motion Picture: Casino Royale (2006). Sony Pictures.Quantum of Solace (2008) and Casino Royale wallpapers, ... Herb Alpert y la Tijuana Brass interpretan 'Casino royale theme (el tema de Casino Royal), publicado como sencillo en 1967. Fue compuesto por Burt Bacharach ... Songtext: If you take a life, do you know what you'll give? Odds are, you won't like what it is When the storm arrives, would you be seen with me By the merc... Casino Royale Soundtrack : The Name's Bond... James BondComposed By : David ArnoldArtist : Nicholas DoddTo Buy The Album Follow The Link Belowhttp://www.amaz...
