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https://preview.redd.it/1m0ch6zr86661.jpg?width=259&format=pjpg&auto=webp&s=43a4daa792544a2ce9f164e4439e3d47db00a7a2
submitted by Musicall1023 to u/Musicall1023 [link] [comments]

*Potential Spoilers* Daniel Craig Bond Grief Theory

I recorded my thoughts on this for a podcast a couple weeks back, but that episode won't be out until closer to November because of the new movie's delay, so I wanted to get this out somewhere and see what everyone's thoughts are...
So I was re-watching Casino Royale and Quantum of Solace recently and it occurred to me that this whole run (the Daniel Craig Bond films specifically) might actually represent the Five Stages of Grief!?
At first, I shrugged it off as ridiculous, but then I started to notice things. For starters, there's now 5 films with the new one - which is set to be Craig's last and each film is tied together by an overarching narrative. (Also, if someone beat me to this years ago, I wouldn't be surprised.)
1 - DENIAL (Casino Royale)
Most of the Bond movies are full of death obviously (after all, the protagonist has a License to Kill and he uses it constantly), but this one is different in that it actually opens with Bond making his first two kills, one of which is super gritty and really adds some weight to it.
The first movie in Daniel Craig’s series, "Casino Royale" is all about deception, which makes sense as a spy movie, but this one really plays up that angle of it. Not only that, but Bond himself is also struggling to find his place in the world. He's not quite the Bond we know and love yet and hasn't quite accepted who he is.
This theme of deception, and self-deception is present throughout the movie and highlighted by the poker game. Even during the (hard to watch) torture scene, Bond is playing it off like he's not in incredible pain.
Then, when he falls in love with Vesper towards the end, he rejects his role as a 00 agent, he sends in his resignation and he decides now that he's saved the world, he's going to just go off to Italy and live happily ever after. He's lying to himself.
Bond's even convinced himself that Vesper is innocent. Meanwhile, Vesper herself is in denial. She convinces herself that she might actually be able to be happy for a brief moment, but when she sees the man with the eye patch in Venice, she realizes that she too has been lying to herself and she embraces her death, because she knows that there's no running from her past.
Further proof comes at the end when Bond denies he had feelings for Vesper when he tells M, "The bitch is dead." It's clear that at the end of the movie, he hasn't yet dealt with her passing, which is understandable. He's not heartless, he's hurting, and (according to the trailers) he's still dealing with this loss by the time you get to "No Time to Die".
2 - ANGER (Quantum of Solace)
Right off the bat, “Quantum of Solace” picks up where “Casino Royale” left off. The entire movie is basically Bond out for revenge for the death of Vesper.
Throughout the film, we get A TON of frantic action scenes and brutal kills. Both Bond and Camille are haunted by their past, they haven’t dealt with their grief and their parallel stories are about overcoming the burden of that anger.
Instead of dealing with his grief, Bond instead decides to fully throw himself into the job of hunting down Quantum (and killing every lead along the way). Bond basically goes rogue and at one point, M even orders a kill or capture order against him!
Bond isn’t sad over Vesper’s death, he’s pissed and it shows. This is further reflected in the massive fiery explosion that burns Greene’s facility to the ground.
At the end of the film, in the final scene, we see Bond taking one step closer to acceptance. The fact that the movie ends with the gun barrel sequence sort of signifies that he’s now the cool and collected Bond we’re all familiar with.
3 - BARGAINING (SkyFall)
The cold open in “Skyfall” ends with Bond facing his own mortality.
We next find Bond drifting aimlessly in a drunken stupor, bar hopping in the Caribbean, and once again not facing his past in a healthy way. He’s once again teetering on the edge and toying with the idea of leaving MI6 and pursuing a normal life. Unfortunately, it’s just not in the cards for 007 when Silva makes his appearance on the scene.
According to the Kubler-Ross model of the Grief cycle, this third stage of bargaining is a struggle to find meaning, to make sense of it all – telling one’s story. Well in this case, this actually applies to both Bond AND Silva. Bond is struggling to find meaning (more so than usual), and as a former MI6 agent, Silva is also trying to find meaning – he survived when he should’ve died and now he’s blaming M, instead of dealing with his pain – he’s deflecting it and making others suffer in his stead.
When Bond does finally return to duty, he’s not the same. His hands are shaky, his age is showing and he’s just not psychologically ready to handle the mission at hand, but M pleads her case to her superior (a bargain if you will). Throughout the movie, Bond is in a sort of limbo. He doesn’t fit in civilian life, but he’s beginning to feel a little rusty in this new age of digital warfare. The entire time he’s trying to prove himself, he’s pleading his case that he’s still relevant, he’s bargaining.
When Bond tries to enlist the help of Sévérine, he tries to bargain with her, when Silva attempts to convince Bond to join him, he’s bargaining with him, when M and Bond try to lure Silva to SkyFall, in the hopes that he falls into their trap, their taking a chance – a bargain. Even Bond and Moneypenny’s flirtation seems like bargaining.
In the end, M bargains by trading her life for Bond’s, in order to defeat Silva.
4 - DEPRESSION (SPECTRE)
“SPECTRE” opens with the Day of the Dead festival in Mexico. Right away there’s a sense of dread and loss hanging over the film (especially in the title sequence!). At this point, Bond has lost so many people – M, Mathis, Vesper, his parents, etc It seems that anyone he gets close to is bound to cross over without him.
The closer Bond gets to this secret organization, the more desperate and hopeless the situation feels. It gets worse the more he peels back the layers of this elaborate conspiracy and it seems that his whole life is a lie, that he’s not in control of his own destiny, that there’s a puppet master pulling the strings on this tragedy. Bond is forced to once again confront the loss of Vesper who he never really got over. As the movie gets darker, (tonally and stylistically) Bond is finally forced to confront this dark secret of his past, his long lost brother, who is revealed to be “the architect of his pain”.
Make not mistake, Bond is depressed in this film.
All his quippy one-liners and cool gadgets seem somewhat hollow this time around (and I don’t know if it was just that Daniel Craig just was feeling a bit fatigued at the time). As most people who’ve experienced depression firsthand can tell you, it often masks itself very well. Everything feels fine on the surface, but when you really take a closer look, you start to worry about Bond, like he’s having a mid-life crisis. Rather than Bond’s usual formulaic flings, car chases, and vodka martinis – this time around, it almost feels like a cry for help. Despite acting all business as usual, this is a Bond who is really hurting and trying to find the light in the darkness, or as Mr. White puts it, he’s “a kite, dancing in a hurricane”.
BUT instead of the usual explosive final battle between Bond and his arch-nemesis, this one actually ends in an unexpected way – Bond decides to not give in, he doesn’t succumb to Blofeld’s psychological manipulations, and he beats him through sheer will power! He’s no longer going to let this darkness control him.
At the moment of decision, Bond decides to walk away from vengeance, from all that sorrow and pain. Instead of proving Blofeld right, instead of killing him for what he did to those he loved, he lets the law step in and make that call. He leaves MI6 and for the first time in the history of the franchise, we get to see a Bond actually retire from the service. He drives off into the sunset, with the girl, in pursuit of that happy ending he so desperately sought after in “Casino Royale”.
It ends with a glimmer of hope.
5 - ACCEPTANCE? (NO TIME TO DIE)
If “Casino Royale” was an origin story, it seems like with this one, we’re finally getting a “One Last Mission” style finale for this era of Bond. Everything seems to be shaping up for this film to be an amazing finale and it seems that thematically, it would only make sense for this series to end with a resolution of some kind.
Will Bond finally come to peace with Vesper’s death, will he finally be able to forgive himself?
I guess we’ll all find out when “No Time to Die” hits theaters this April November!
(Sorry about the length! Let’s discuss!)
submitted by ErikSlader713 to JamesBond [link] [comments]

My take on fixing the "Star Wars" Sequel Trilogy (Part 2)

Part 1 is HERE, if you're curious.
This is the first half of my reimagining of Episode VIII. I wanted to fit it all in one post, but it got a little long.
I promise: I'll post the second half as soon as it's finished.
FAIR WARNING:
Full disclosure: I'm one of the Star Wars fans who liked The Last Jedi. In fact, I'd go so far as to call it my favorite movie in the Sequel Trilogy.
No, I don't think it was perfect. No, I don't think you're a bad person if you didn't like it. But as I said in my last post, I firmly believe that the single biggest problem with the Sequel Trilogy is that it felt more like an extended tribute to the Original Trilogy than a meaningful continuation of its story; I also happen to believe that The Last Jedi was the major exception to that rule.
Love it or hate it, it's hard to deny that The Last Jedi charted its own course, and it was anything but a safe slice of fanservice. It developed the central characters of the Original Trilogy in bold ways, it went out of its way to shake up the classic Star Wars formula, it explored an array of ambitious themes, and it actively avoided following the same plot structure as the Original Trilogy.
It's also easily the most visually unique entry in the Sequel Trilogy, with multiple striking set-pieces that look absolutely nothing like anything in the Original Trilogy. The desolate island planet of Ahch-To, the swanky resort/casino of Canto Bight, and the red deserts and crystal caverns of Crait were nothing if not original.
I'm not here to argue with people who disliked The Last Jedi; I think we're all pretty sick of arguing about that film by now. But I will tell you up-front: of my three reimaginings of the Sequel Trilogy, this one will be the least changed from the source material. Consider yourself forewarned.
The story so far:
Thirty years after the death of Emperor Palpatine, an uneasy peace reigns over the galaxy.
The New Republic, a democratic regime founded by the heroes of the victorious Rebel Alliance, rules over most of the galaxy from the capital world of Coruscant, its mighty space fleet patrolling the spaceways from the Core Worlds to the Outer Rim. But in the wake of the mysterious disappearance of the legendary Jedi Knight known as Luke Skywalker, the future of the galaxy appears uncertain.
Despite the New Republic's best intentions, most of the galaxy's wealth is concentrated in the hands of an elite group of traders and industrialists who profited from the rebuilding of the Core Worlds after the devastation of the Galactic Civil War. Since those dark days, divisions between rich and poor have left the vast majority of the galaxy's population living in squalor, leading to simmering tensions in even the most civilized worlds. On most habitable worlds, the New Republic keeps order with the aid of well-armed Planetary Security forces, who often use brutal methods to quell unrest and root out suspected radical groups.
Amid this world of tension, an underground society known only as "The Resistance" claims to champion the ideals of Luke Skywalker, who once stood as a beacon of hope against the forces of tyranny and injustice. Some view the Resistance as dangerous radicals, but others see them as idealistic crusaders keeping the values of the old Rebel Alliance alive.
Visually, this era of Star Wars is inspired less by pulp science-fiction of the '30s and '40s (Buck Rogers, Flash Gordon, John Carter of Mars, Lensmen, etc.) and more by cyberpunk fiction of the '80s and '90s (Neuromancer, Snow Crash, Blade Runner, Ghost in the Shell, etc.). The Resistance aren't an upstanding crew of gallant freedom fighters—they're a morally ambiguous band of tattooed street punks who can usually be found hanging out in seedy night clubs at the heart of densely populated cities. "Planetary Security" aren't styled after goose-stepping Nazi Stormtroopers or SS Officers, but after modern-day American SWAT teams or riot cops. Rey didn't grow up on a Tatooine-esque desert planet covered in scrapyards, she grew up in the shantytowns of a sprawling planet-sized city.
If you need a visual reference: think this, or this, or this.
Anyway...
In the Unknown Regions, the splintered remnants of the fallen Galactic Empire fight a long guerrilla war in the darkness of space, regularly launching surprise attacks on unprepared worlds in the Outer Rim as they spin plans to return the Empire to its former glory. Of the dozens of terrorist groups who continue to champion the Imperial cause, among the most merciless is "The First Order", an elusive band of fanatics led by the masked warrior Kylo Ren and his mysterious mentor known only as "The Oracle".
Not too long ago, Kylo Ren and his companions (known as "The Knights of Ren") embarked on a mission to the desolate backwater planet of Eravana, looking for an aging old hermit called Lor San Tekka. As it turned out, San Tekka was a former member of the Jedi Order who was among the last people ever to see Luke Skywalker alive—and he possessed valuable information that held the key to revealing his old friend's whereabouts.
In a brutal raid, Ren and his companions murdered San Tekka, took the encrypted map that he kept concealed in his necklace, and killed all witnesses in the nearby village that San Tekka guarded in his twilight years. But in the aftermath of the raid, one of Ren's loyal Stormtroopers—designated "FN-2187", but nicknamed "Finn"—suffered a crisis of conscience, and resolved to leave the First Order to defect to the New Republic. Believing that he could buy a new life with information on Luke Skywalker, he stole San Tekka's map and fled to the nearest inhabited world: a densely populated planet called Jakku covered by sprawling cities.
Much to his dismay, Finn soon learned that it wouldn't be so easy to outrun his past. Not long after he arrived on Jakku, he found himself fighting for his life when the local Planetary Security force recognized him as a member of an Imperial loyalist group and tried to kill him on the spot. Soon after that, he learned that many of the New Republic's power-brokers were perfectly content to let Luke Skywalker stay in exile, viewing him as a dangerous revolutionary who would provoke unrest among the common people.
While on the run from Planetary Security, Finn crossed paths with Rey, an orphaned young woman who was abandoned by her parents in the city's squalid shantytowns when she was just a girl. With the help of Rey and her trusty droid companion BB-8 (whom she built from spare parts), Finn sought out the local Resistance chapter in a seedy nightclub, knowing that they didn't share the New Republic's feelings on Luke Skywalker. Upon realizing that Lor San Tekka's map really did lead straight to Skywalker, the Resistance pledged their help in decoding the map, and offered to give Finn and Rey safe passage to their safehouse on the planet Takodana. After the Resistance made a call to a certain space pilot loyal to their cause, roguish Resistance agent Poe Dameron pledged to accompany Finn and Rey on their journey.
With both Kylo Ren and Planetary Security hot on their trail, Finn, Rey, and Poe made a mad dash to Jakku's local spaceport, determined to make their rendezvous with the Resistance's pilot. Much to their surprise, they discovered that the pilot was none other than Han Solo, who had gone underground and joined the Resistance along with his faithful co-pilot Chewbacca. During the journey to Takodana, Han revealed that Kylo Ren was actually his son Ben Solo, a former pupil of Luke Skywalker who turned against him and destroyed his academy. While Han didn't know Luke's whereabouts, he also revealed that Luke vanished shortly after Ben's betrayal—possibly because he felt responsible for it.
On Takodana, where the trio met Han's estranged wife Leia Organa—who had also gone underground and joined the Resistance—the Resistance set about decoding the map. Before they could, though, the Resistance's safehouse fell under an orbital strike from Kylo Ren, who had managed to track them to Takodana. Entering the safehouse with his Stormtroopers, Kylo took the encrypted map and captured Rey, then departed for his hidden fortress on the planet Ilum. Determined to reclaim the map and rescue Rey, Han took Finn, Poe, and Chewbacca to Ilum in the Falcon, secretly planning to confront his son and convince him to return to his family.
After being interrogated by the First Order for information on Luke Skywalker, Rey miraculously managed to escape from her cell in Kylo's fortress by taking advantage of her latent sensitivity to the Force. Later, as Han entered the fortress with his companions in tow, he called out to his son by name after recognizing him from a distance—but Finn and Poe were forced to watch helplessly as a visibly conflicted Kylo ignited his lightsaber and stabbed his father through the chest, killing him.
While making her way through the fortress in search of a way out, Rey accidentally stumbled upon Kylo's personal quarters, where he kept a shrine dedicated to his grandfather Anakin Skywalker, the man once known as "Darth Vader". Among the relics in the shrine was the distinctive black helmet that Anakin wore after his turn to the Dark Side, but also the lightsaber that he wielded as a Jedi—which was inherited by Luke Skywalker. Desperate for a weapon to defend herself, Rey took the lightsaber and instinctively ignited it when Kylo cornered her outside the fortress. In a fierce lightsaber duel, Rey surprisingly managed to hold her own against Kylo, and narrowly managed to escape with her life when Finn and Poe spotted her and picked her up in the Falcon.
Rey, Finn, and Poe returned to Takodana with the map in hand, and finally managed to decode it, revealing that Luke Skywalker was on the distant ocean-covered planet of Ahch-To. But Leia, who had sensed Rey's budding sensitivity to the Force, urged Rey to make the journey to Ahch-To without her companions, hoping that Luke could teach her the ways of the Jedi and help her master her new abilities. Heeding Leia's advice, Leia boarded the Falcon with Chewbacca and R2-D2 as her co-pilots, and set course for Ahch-To.
After a long flight over Ahch-To's endless seas, she landed on a strangely familiar island, which she seemed to remember from her dreams. On the island, a mysterious figure in a hooded robe stood before a lonely stone temple, seemingly waiting for her. When she held out Anakin Skywalker's lightsaber to the mysterious figure, he removed his hood—revealing the face of Luke Skywalker.
And now, our story continues...
STAR WARS: EPISODE VIII — THE LAST JEDI (Part 1)
A long time ago in a galaxy far, far away...
(cue the fanfare)
At the center of the New Republic, legendary freedom fighter Leia Organa returns to the capital world of Coruscant. Accompanied by her two newest companions, Leia prepares to call the galaxy to arms as a new war looms on the horizon.
Meanwhile, Kylo Ren—the man once known as Ben Solo—gathers the forces of the sinister First Order for a desperate attack on the heart of the Republic, determined to strike back against the forces of the Resistance who once defied him.
In the dark days to come, only the last of the Jedi can restore hope to the galaxy in the face of tyranny. After ten years in exile, Luke Skywalker must confront his destiny...
After a long journey through space, a starship drops out of hyperspace in the orbit of a planet at the heart of the Galactic Core. At the bridge of the starship, Leia Organa looks down upon the surface of Coruscant—the world where her father once trained as a Jedi, and where her mother once represented her people as a member of the Galactic Senate. Nearby, Poe Dameron and Finn look down at the capital of the New Republic as their loyal companion BB-8 excitedly chirps and beeps.
Finn, who was born on a backwater planet on the Outer Rim, is visibly awestruck at the sight of the planet. Poe, a hard-bitten member of the Resistance with no love for the New Republic, looks down on it with disdain.
"This is it?" Finn asks.
"Yeah, this is it," Poe says cynically. "The bright center of the universe..."
Leia breathes deeply as her starship descends, preparing to dock at the spaceport.
"A long time ago, I swore I'd never come back to this cess-pit," she says. "I hate to break a promise. But if we're gonna bring down the First Order, we're gonna need help. Something's coming—and I've got a bad feeling about it."
In the darkened halls of his starship, Kylo Ren confers with his companions—the seven masked warriors known as "The Knights of Ren"—as he prepares for a meeting with his mentor "The Oracle". For the first time, we hear Kylo address the seven warriors by name, and it immediately becomes clear that Kylo (once called "Ben Solo") isn't the only one of them who cast aside his birth name. His companions (in no particular order) call themselves "Tarmin Ren", "Mokkar Ren", "Kadori Ren", "Shakar Ren", "Darro Ren", "Yandoss Ren", and "Vorjall Ren".
As soon as we learn this, it becomes instantly clear that the surname "Ren" holds some personal significance for Kylo and his seven companions, and that each of them chose to take it. But what does it mean?
"There are hard days coming," Kylo tells his companions. "The Force is strong with me, but I am no immortal. If I don't survive the battle to come, you must keep our crusade alive. Long ago, we swore an oath to each other. We swore that this war would only the beginning. Soon, we will embark on the final path toward ultimate power. But until then, you must stay on Ilum and await my return. Stay, train, and remember our oath."
As the Knights of Ren bid farewell to Kylo and board a shuttle bound for their fortress on the planet Ilum, Kylo steps into the personal chambers of the Oracle.
The Oracle's skin is deathly pale, his limbs are long and distorted, half of his face is covered in a horrific burn, and electrical wires extend under his skin like nerves. Upon seeing him in person, we see that he's strapped to a reclining chair and attached to a life-support machine, and is seemingly too frail and injured to stand. When he speaks, his voice warbles and reverberates with electronic sounds. A holographic monitor above his head displays his heartbeats and brainwaves, and seven armed warriors dressed in identical red armor—his Praetorian Guard—surround him at all times.
"My worthy disciple..." the Oracle breathes.
"It's coming, Oracle," Kylo says. "The day that you foresaw. The death of the New Republic draws near."
"And yet, my visions tell of something else," the Oracle says. "Skywalker lives. The seed of the Jedi Order lives. As long as it does, hope lives in the galaxy."
"It won't matter," Kylo says. "I'll burn down everything he built. If Skywalker would return, let him rule over dust and ash."
"You forget, boy... I know of what you seek. You and your companions. This war is only the beginning. And when the day comes to seek out the ultimate power, you will not find it without me."
"I've forgotten nothing, Oracle," Kylo says, bowing. "And I promise you this: when that day comes, the New Republic will not stand in our way."
On the planet Ahch-To, we rejoin Rey.
On a barren rock at the center of an endless ocean, she approaches Luke Skywalker and presents him with his father's lightsaber—the noble weapon entrusted to him by his mentor Obi-Wan Kenobi, which was seemingly lost forever on Cloud City.
Luke steps forward and accepts the lightsaber, clasping it in his metallic hand. For a moment, he seems overcome by memories of his past. But as soon as that moment passes, he nonchalantly tosses the weapon over his shoulder, then walks away without a word. Perplexed, Rey tries to follow him, even as she gradually realizes that the legendary "Sky-Walker" has been changed profoundly by his time in isolation.
A far cry from the dashing, handsome war hero worshipped by the Resistance, Luke's hair and beard have grown long, his face is wind-burned, and he dresses in weather-beaten robes. At the top of a hill, she sees a simple hut built of mossy stones, where Luke has apparently lived for 10 long years without a soul for company. As he trudges up to the top of the hill, walks into his hut, and slams the door in her face, he never once glances back at his old lightsaber.
Undaunted, Rey follows him into his hut, with Chewbacca following close behind. Luke does his best to blow them off, but Rey persists, following him around the rugged island as he goes about his daily chores. After telling Luke about her recent experiences, Rey insists that she won't leave until Luke trains her in the ways of the Force. Although Luke is devastated to learn of the death of his old friend Han Solo, he stubbornly refuses to train Rey. Having clearly become bitter and jaded in his old age, Luke insists that his training couldn't do Rey any good.
"Something inside me has always been there," Rey says. "And now it's awake. And I'm afraid. I don't know what it is, or what to do with it. And I need help!"
"You need a teacher. I can't teach you," Luke says. "I will never train another generation of Jedi. I came to this island to die. It's time for the Jedi to end."
Rey is utterly shocked to hear Luke so callously reject the Jedi, but she still can't bring herself to abandon her mission. When night falls, she goes to sleep outside Luke's hut, planning to ask him again in the morning.
Later that night, Luke creeps into the Millennium Falcon while Rey sleeps, and he finds himself overcome by his old memories as he walks through the familiar hallways of the spaceship that once took him on a fateful journey to the Death Star. While on his way out, he unexpectedly bumps into his trusty old droid R2-D2, who is ecstatic to see his master again after ten long years. Artoo pleads with Luke to leave his self-imposed exile and return to the Republic, but Luke still refuses—until Artoo tugs at his heartstrings by playing the holographic message from Princess Leia that once spurred him to leave Tatooine to fulfill his destiny. As Luke hears the familiar words "Help me, Obi-Wan Kenobi—you're my only hope!", he realizes that he can't deny who he truly is.
He promises Rey that he will begin training her at dawn, but tells her that he will only give her three lessons on the Force.
Back on his starship, Kylo Ren strides from the Oracle's chamber and walks into another room. The room is empty—but when he presses a button on the wall, the lights dim, and the room is filled with a massive hologram. Kylo suddenly finds himself at the center of a massive auditorium filled with shadowed figures, all of them dressed in the traditional colors of the old Galactic Empire. Some of them dress in blood-red armor, others in crisp black naval uniforms, others in white robes; in one corner of the auditorium, we see a group of men in grey chainmail with faces covered in black tattoos.
"Who summons us?" one man calls out in a mocking voice. "Another pretender to the Imperial throne?"
Kylo steps into the light.
"I am Kylo Ren—master of the Knights of Ren, and Supreme Commandant of the First Order!" he responds. "I am no pretender, and I have come to claim no throne. Only my destiny."
Cruel laughter fills the room.
"And what of you?" Kylo asks. "Make yourselves known."
One by one, the leaders of the various assembled groups step out of the shadows and announce themselves.
"The Commander of the Crimson Legion stands present!"
"The Admiral of the Black Fleet stands present!"
"The Sovereign of the Dark Chosen stands present!"
"The Lord of the True Sith stands present!"
In our last adventure, it was well-established that the First Order are just one of many terrorist organizations formed from the splintered remnants of the fallen Empire, and they've been fighting a protracted guerrilla war against the New Republic while hiding in the Unknown Regions. Now, for the first time, we get a real idea of just how many Imperial loyalists groups are really hiding out on the fringes of the Galaxy. And for the first time in a long while, the leaders of the most powerful groups have come together to discuss an alliance.
Some of them are partisan soldiers, others are Dark Side cultists, others command pirate space fleets, and some are adept warriors who practice the secret martial disciplines once wielded by Palpatine's elite Royal Guard. They all have their own private missions and agendas, but they all share a common dream: the eradication of the New Republic, and the rebirth of the Galactic Empire.
"The New Republic has spread like a cancer. It is a parasite, corrupting the heart of a galaxy that was once great," Kylo says. "On Coruscant, where the Imperial Palace once stood, the bureaucrats of the Senate rule over a kingdom of beggars and thieves, bowing to the whims of the weak and the cowardly! But I know the same sacred truth that Palpatine knew: the Galaxy belongs only to the strong!"
A murmur of approval echoes through the room—but one of Kylo's invited guests remains skeptical.
"And you mean to challenge them, do you? Shall the fleet of the New Republic bow to a half-grown boy?"
As an answer, Kylo pulls a familiar object from the folds of his cloak and holds it up to the light. His guests gasp in shock as they get a good look at it. It's Darth Vader's helmet!
"They will bow to the heir of Darth Vader!" he calls, his voice echoing through the chamber.
"Who are you, Ren?" the skeptical guest asks. "Who are you, truly?"
A sly smile crosses Kylo's lips.
"Once, my name was Ben Solo," he says. "My father was a lowborn smuggler. My mother, raised by the Queen of Alderaan, was the daughter of a Jedi Knight. His name was Anakin Skywalker—but you knew him by another name."
Kylo ignites his lightsaber as he holds Vader's helmet aloft.
"I fight in the name of my grandfather, who once led the Empire to victory. I remember those who came before me. And when the time comes, I ask only that you take what is yours."
After a long silence, someone finally speaks.
"What do you propose?" he asks.
Once again, Kylo smiles.
"Stay vigilant for word from Coruscant," he says.
On Coruscant, Leia disembarks from her starship with Finn, Poe, and BB-8 in tow, and she's promptly greeted by mobs of spectators—some of whom clearly adore her, and some of whom apparently despise her. Since she went underground and joined the Resistance years earlier, Leia hasn't been seen in public in a long time, much less on the capital planet of the New Republic.
A short distance away, Leia's destination looms above the crowds. It's the Galactic Senate Chamber—the building where Palpatine declared himself Emperor over half a century ago. She doesn't say a word, but the implication is clear: Leia has come to address the Senate on the threat of the First Order. Just like her mother, who once appeared before the Senate to call for aid on behalf of her people, Leia plans to call for aid against those who would keep Palpatine's dream alive.
Inside the Senate Chamber, a massive multi-species delegation of planetary representatives has gathered to hear Leia's testimony. Before she approaches the platform at the center of the chamber, she orders Poe and Finn to wait on the sidelines for her.
"It's been seven years since your last public appearance," one Senator says, as Leia takes the stand. "What urgent matter begs the attention of a princess?"
Derisive laughter echoes through the chamber, but Leia stays passive.
"I was a princess once," Leia says pensively. "I was a rebel. A diplomat. A smuggler's lover. It never really mattered to me. At heart, I've only ever been a soldier."
"Once, perhaps," the Senator fires back. "This is peacetime, Your Highness. Have you forgotten that?"
"I don't forget many things," Leia says. "Can you say the same?"
A murmur of unrest echoes through the chamber. The Senator, unamused, proceeds forward.
"Speak your piece, Your Highness," he says coldly. "You have the floor."
True to his word, Luke gives Rey her first lesson in the Force in the early morning hours, encouraging her to reach out with her feelings while meditating at the top of a mountain. As Rey feels herself mentally connecting with the life around her, Luke tells her that the Force pervades all things, and all things achieve balance through the Force. Life and Death, Light and Darkness, Birth and Decay, and all of the forces that shape the universe itself. Rey realizes that she feels that same Force within herself.
While the Force once gave the Jedi great power, Luke believes that the Jedi were undone by their arrogance when they convinced themselves that the Force belonged to them. As he tells Rey: even if the Jedi die out, the Force can never truly fade away—and the people of the Galaxy don't need the Jedi to teach them how to connect with the Force.
"And this is the lesson," Luke says. "The Force does not belong to the Jedi. To say that if the Jedi die the Light dies is vanity. Can you feel that?"
But Rey's lesson suddenly takes a dark turn when Rey senses something truly powerful and truly evil: a dark cavern beneath Luke's island temple, where the Dark Side of the Force gathers and festers. Something in the cavern calls out to her, promising to answer every question that she's asked herself since she was young. Despite Luke's warnings, Rey finds herself drawn to the darkness, forcing Luke to cut her lesson short.
Visibly disturbed, Luke realizes that Rey's connection to the Force might be stronger than he realized—and she might be more susceptible to the allure of the Dark Side than he feared.
"That place was trying to show me something," Rey says.
"It offered you something you needed," Luke says. "And you didn't even try to stop yourself! I've seen this raw strength only once before, in Ben Solo. It didn't scare me enough then. It does now."
As Luke strides away, Rey contemplates the unsteady ground beneath her feet, wondering what the cave was trying to show her.
"I think my report speaks for itself," Leia says, at the conclusion of a short speech before the Senate.
"Yes, quite..." the Senator says. "A terrorist base on Ilum? A fanatic with a lightsaber?"
"A fanatic with a lightsaber and an army," Leia corrects him. "Kylo Ren is more than a terrorist. He has ambition. He has charisma. And he has power. Power like I haven't felt in years. Not since..."
Leia's voice falters as she remembers her first encounter with her father as an adult. She doesn't finish her sentence, but her thoughts are clear: "Not since I stared Darth Vader in the face."
"By all means, Your Highness..." the Senator says, rolling his eyes. "Indulge us with your murmurings about ripples in the Force!"
Mocking laughter echoes through the chamber. It's immediately clear that few of the Senators take the Force seriously, dismissing it as an ignorant superstition.
For the first time since she arrived on Coruscant, Leia raises her voice. Anger flashes in her eyes as she silences the laughter with a single word.
"QUIET!" she yells. "Don't you ever forget: I fought on the frontlines with the Rebel Alliance! I gave everything I had to their cause, and I nearly died for it! I haven't forgotten what I fought against. Thirty years ago, I learned the true meaning of evil, and I stared it down and held my ground. The Dark Side isn't a fairy tale. Believe in it, or don't. It'll rip your heart out just the same."
Sufficiently goaded, the Senator rises to his feet.
"You would dare befoul this chamber with your superstitious clamor?" he fires back. "And shall we be lectured on evil by the daughter of Darth Vader?"
All around the chamber, Senators audibly gasp. Leia stares down her adversary from across the length of the room, and his lips curl into an arrogant sneer. He has mentioned her greatest shame—the one that she could never overcome.
"We haven't forgotten the past," the Senator says. "We remember what happened when the Jedi were allowed free reign. We remember what happened when the people of the Galaxy vainly put their faith in the Force. And we remember the Jedi who sat at the Emperor's right hand. Rest assured: the past will not repeat itself. If the Jedi would die, then let them die."
Leia's lips tremble as she struggles to speak.
"The Jedi aren't dead," she says. "There's one left. And he won't stay gone forever."
"Luke Skywalker..." the Senator says derisively. "You say that you've foreseen a dark future for this Republic. So tell us, Your Highness: when that future comes, will one old man be enough to save us?"
Leia takes a deep breath.
"For all our sakes, I hope so."
Kylo Ren's starship drops out of hyperspace, accompanied by dozens of First Order ships. As the fleet courses through the darkness of space, we see that they're flying in formation around a strange-looking starcraft that doesn't look quite like anything we've seen before. Its body is elongated, it's covered with transparent viewing windows, and glowing orbs endlessly spin around its midsection, pulsing and crackling with powerful energy.
At the bridge of his flagship, Kylo sits behind a control panel. In the viewing window, a planet comes into view.
It's Coruscant. Kylo Ren and the First Order have come to the capital of the New Republic.
"Remember the plan," Kylo says to his officers. "And ready the Star Hammer. We've only got one shot at this!"
In a pristine Planetary Security station at the heart of Coruscant—similar to the one we saw on Jakku—uniformed officers monitor a series of holographic computer banks, which display Coruscant's defense grid of armed orbital satellites. Suddenly, one by one, the computer monitors begin flashing bright red.
"Something's not right..." a Planetary Security officer says, suddenly worried. "We're losing contact with our orbital defense grid!"
As his starship enters Coruscant's orbit, Kylo keys a command into a computer panel.
Back in the Planetary Security station on the surface of the planet, a look of abject horror crosses one officer's face.
"No..." he breathes. "That's not possible!"
"What's going on?" his commander asks.
"It's our defense grid... We can't get a signal through, but our satellites are still moving on their own! They're turning—and they're aiming at the surface of the planet!"
In an instant, the commander realizes what's happening: someone has hacked Coruscant's defense grid, and they're attacking the planet with its own defenses!
The commander begins barking orders to his subordinants.
"Send a message to every security station on the planet: the capital is under attack!" he yells.
In the Senate Chamber, Leia and the Senator stare each other down. But before either of them can say another word, the building shakes, and the ground rumbles.
Outside, a massive barrage of laser-fire rains down from the sky as the hacked satellites fire at the surface of Coruscant. Within moments, the center of the city is in flames. Buildings buckle and collapse, and the screams and cries of dying civilians echo through the streets.
Inside the Senate Chamber, a Planetary Security squad rushes inside and orders the assembled Senators to evacuate. As the terrified politicians prepare to follow the Planetary Security officers to the nearest spaceport, one of the officers points to Leia.
"You! Come with us, Your Highness. We have orders to evacuate you separately!"
Leia gestures to Finn and Poe, who look around in terror and confusion as Coruscant collapses around them.
"I'm not leaving alone," Leia says. "They're coming with me!"
Together, Leia and her companions make a mad dash to the spaceport as chaos erupts all around them. In the skies above Coruscant, the First Order's warships come into view as they unleash a hellish artillery barrage on the buildings below.
After a long run to the spaceport, the Planetary Security officers direct Leia to her ride off of Coruscant. To her surprise, it's not a civilian transport—it's the Comet Chaser, a warship in the New Republic space fleet.
"You've been designated a critical asset by New Republic High Command!" the officer says. "You have intelligence on the First Order. That means we want you by our side."
They board the Comet Chaser. Evading enemy fire, the warship takes off into the sky to join the unfolding space battle.
But the worst is yet to come...
In Coruscant's orbit, Kylo's elongated spacecraft—the mighty Star Hammer—charges its central reactor, and the glowing orbs spinning around its midsection begin to speed up. On the bridge of his starship, Kylo lays his hands on his control panel and begins making a complex gesture with his hands. The spinning orbs around the Star Hammer's midsection begin to speed up—and somewhere in the distance, a massive object approaches Coruscant...
Back in the Planetary Security station on Coruscant's surface, one of the monitoring computers goes haywire. Heads turn as it begins beeping a shrill warning siren.
"Something's coming..." one of the officers says. "Gravity fluctuations are off the chart! Whatever it is, it's big!"
When he realizes what he's looking at, the commanding officer's mouth hangs open in shock.
"No..."
In the orbit of Coruscant, we zoom in on the Star Hammer as it shoots a burst of iridescent blue energy into the distance and hits Coruscant's moon. Finally, we realize what the Star Hammer is doing: it's an advanced superweapon that controls gravity, and it's caught Coruscant's moon in a powerful tractor beam. Now, as the First Order rains destruction down on the the New Republic's capital, it's preparing to hurl the moon at the surface of Coruscant, forcing the two celestial bodies into a massive collision that will wipe out all life on the planet.
As the moon moves inexorably toward the surface of Coruscant, hundreds of civilian transports take off, desperately attempting to flee to freedom.
On the surface of Coruscant, all Hell breaks loose as the moon comes into view, looming large over the seas of panicking civilians on the ground. Earthquakes tear through the surface of the planet, the ground splits open, and buildings collapse by the dozens.
The Republic space fleet can repel an enemy space fleet, but they can't fight the raw power of gravity. Somewhere in the distance, Republic starships attempt to fight their way through the First Order's battle lines to take a shot at the Star Hammer and stop the moon—but it's already too late.
As the Comet Chaser carries them into space, Finn and Poe can only watch in awe and horror as the moon slams into Coruscant, obliterating the New Republic's capital within moments.
Far away, on another starship, a man dressed in Imperial colors watches the destruction of Coruscant unfold on a holographic viewscreen. As we soon see, it's the same man who skeptically dismissed Kylo at his gathering.
Suddenly, Kylo's face appears in his viewscreen as he sends him a transmission from Coruscant. He leans in close, staring coldly.
"Do I have your attention now?" Kylo asks.
TL;DR: My version of The Last Jedi begins with Kylo Ren and the First Order forming a massive alliance of terrorist groups who continue to champion the cause of the Galactic Empire. While Rey trains with Luke on Ahch-To, Finn and Poe accompany Leia to the New Republic capital of Coruscant, where Leia attempts to warn the Galactic Senate of the threat of the First Order. Despite her best efforts, Leia's warnings are ignored by the Senate, who dismiss her visions of the rebirth of the Dark Side as superstitious prattle.
In the middle of Leia's speech before the Senate, the First Order launches a shocking attack on the capital, using an experimental weapon known as "The Star Hammer" (which controls gravity) to hurl Coruscant's moon at the surface of the planet, wiping out most life on Coruscant. Amid the chaos, Leia narrowly manages to escape in a New Republic warship with Finn and Poe—but the First Order's attack turns out to be the first step in a coordinated assault, signaling Imperial loyalists all across the Galaxy to emerge from the shadows and attack the Republic.
Additionally: the Knights of Ren have names, and it's established that they all use the surname "Ren"—hinting that the name holds some personal significance for them. And in a conversation between Kylo Ren and his mysterious mentor "The Oracle", it's hinted that Kylo's war with the New Republic is just the first step in a quest for ultimate power.
submitted by themightyheptagon to fixingmovies [link] [comments]

Need feedback from my peers in the PS community on a Remove-Win10Apps script

UPDATED:2020-01-20 - Made some bug fixes and documented the apps better.
Hello Everyone!
I've written a script for unnecessary Win 10 apps and would like to get some feedback. I've been only the sole "script guy" at my work so please be gentle with your comments :)
I've focused on some new elements I haven't used much before like help comments, logging, and try/catch blocks that I can standardize on across my scripts.
In my limited testing I'm using this as a Computer logon script through GPO to run this script.
Thanks!
Note, I just realized I have a few bugs to work out. I was testing with Powershell 7 RC1 with the more recent changes I've made and didn't realized I had broke are some things running in 5.1. Like 'split-path -leafbase'.
Shoot, well either way I was looking for more constructive feedback on the layout, logic, and process.
<# .SYNOPSIS Removes installed and provisioned Appx packages in Windows 10. .DESCRIPTION To simplify the user experience and to streamline the configuration of Windows this script removes unneccesary Windows 10 apps. These have been sorted into 4 categories: Home = Computers used in a home setting. The difference between this and the ones below is this keeps the Xbox apps, and Mail app as they make sense on a personal computer. Named = Computers that are normally used by a single person in a typical office environment. Or at least typical where I work. Shared = Computers that are normally shared by multiple people with shared logins and have more direct functions (Lab PC, HR Kiosk, Conference Room PC etc.) Server = Computers that are used in a server type function, running Windows 10, and not used as a desktop PC. (Manufacturing floor PC, badge printing system etc.) Note that these lists are cumulative. Home = Home list Named = Home + Named lists Shared = Home + Named + Shared lists Server = Named + Shared + Server lists Suggest putting this in a computer based GPO login script .EXAMPLE PS C:\>.\Remove-Win10Apps.ps1 Removes all apps from the default home list asking for confirmation for each found app. Writes log to 'C:\Logs\Remove-Win10Apps.log'. .EXAMPLE PS C:\>.\Remove-Win10Apps.ps1 -LogPath '\\server\share\appremoval.log' Removes all apps from the default home list asking for confirmation for each found app. Writes log to '\\server\share\appremoval.log'. .EXAMPLE PS C:\>.\Remove-Win10Apps.ps1 -PCType "Shared" -Whatif Won't remove but just list all apps from the combined default home, named, and then shared list that it's found. .EXAMPLE PS C:\>.\Remove-Win10Apps.ps1 -PCType "Server" -Confirm:$false Removes all apps from the default home, named, shared, and server list without prompting for confirmation. Writes log to 'C:\Logs\Remove-Win10Apps.log'. .INPUTS None .OUTPUTS None .NOTES More than just inspiration taken from the following https://github.com/W4RH4WK/Debloat-Windows-10/blob/mastescripts/remove-default-apps.ps1 http://guidestomicrosoft.com/2016/08/26/simple-function-for-logging-powershell-script/ #> #Requires -RunAsAdministrator #Requires -Version 5.1 [CmdletBinding(SupportsShouldProcess = $true, ConfirmImpact = 'High')] param ( # Specifies the list of apps from Home (the least removed) to Server (the most removed) [ValidateSet("Home", "Named", "Shared", "Server")] [String]$PCType = "Home", # Enter the full path to where you'd like the script to log it's changes. [parameter(Mandatory = $false)] [ValidateScript( { if ($_ -notmatch "(\.log)") { throw "The file specified in the path argument must be of the type .log" } return $true })] [System.IO.FileInfo]$LogPath = 'C:\Logs\Remove-Win10Apps.log', # Lists the entries in the different PCTypes depending on what's selected and closes [switch]$List ) begin { function Write-Log { param( # Enter text you'd like to display on a single line in the log. [parameter(Mandatory = $true)] [string]$Text, [parameter(Mandatory = $true)] # Enter the severity of the log entry. [ValidateSet("WARNING", "ERROR", "INFO")] [string]$Type, # Specifies the path to save the log file to. [ValidateScript( { if ($_ -notmatch "(\.log)") { throw "The file specified in the path argument must be of the type .log" } return $true })] # Sets the path to the log file to C:\Logs\ + the name of the script running the function + .log [System.IO.FileInfo]$Path = 'C:\Logs\' + ([io.path]::GetFileNameWithoutExtension($MyInvocation.PSCommandPath)) + '.log' ) #Makes sure that it updates the "exists" property or else the file keeps getting recreated. $Path.Refresh() if ($Path.Exists -eq $false) { New-Item -ItemType 'file' -Path $Path -Force } [string]$LogMessage = [System.String]::Format("[$(Get-Date)] -"), $Type, $Text Add-Content -Path $Path -Value $LogMessage } Write-Log -Text "Starting Remove-Win10Apps script with -PCType $PCType and -LogPath $LogPath" -Type 'INFO' -Path $LogPath #Checks OS is Windows 10 and terminates if it's not. if ([Environment]::OSVersion.Version.Major -lt '10') { Write-Warning 'Exiting...you must be running a version ofy Windows 10 to run this script.' Write-Log -Text 'Exiting...you must be running a version of Windows 10 to run this script.' -Type 'ERROR' -Path $LogPath Exit } #Region App Listing $AppsHomePC = @( "Microsoft.3DBuilder" #3D Builder - https://www.microsoft.com/en-us/p/3d-builde9wzdncrfj3t6 - View, create, and personalize 3D objects using 3D Builder. "Microsoft.Appconnector" "Microsoft.BingFinance" #MSN Money - https://www.microsoft.com/en-us/p/msn-money/9wzdncrfhv4v - Finance simplified. Know more about your money with the world’s best financial news and data. Grow your finances with handy tools and calculators, any time and anywhere. "Microsoft.BingFoodAndDrink" #MSN Food & Drink - NA (Discontinued) "Microsoft.BingHealthAndFitness" #MSN Health & Fitness - NA (Discontinued) "Microsoft.BingNews" #Microsoft News - https://www.microsoft.com/en-us/p/microsoft-news/9wzdncrfhvfw - Delivers breaking news and trusted, in-depth reporting from the world's best journalists. "Microsoft.BingSports" #MSN Sports - https://www.microsoft.com/en-us/p/msn-sports/9wzdncrfhvh4 - The MSN Sports app is packed with live scores & in-depth game experiences for more than 150 leagues. "Microsoft.BingTranslator" #Translator - https://www.microsoft.com/en-us/p/translato9wzdncrfj3pg - Microsoft Translator enables you to translate text and speech, have translated conversations, and even download AI-powered language packs to use offline. "Microsoft.BingTravel" #MSN Travel - NA (Discontinued) "Microsoft.BingWeather" #MSN Weather - https://www.microsoft.com/en-us/p/msn-weathe9wzdncrfj3q2 - The best way to plan your day. Get the latest weather conditions, whether you're hitting the slopes, or the beach, or checking the forecast for your commute. See accurate 10-day and hourly forecasts for whatever you do. "Microsoft.CommsPhone" "Microsoft.ConnectivityStore" "Microsoft.FreshPaint" #Fresh Paint - https://www.microsoft.com/en-us/p/fresh-paint/9wzdncrfjb13 - Unleash your inner creative with Fresh Paint – the ultimate canvas for your big ideas. Fresh Paint is a fun and easy to use painting app with the right tools for artists of all ages. "Microsoft.GetHelp" #Get Help "Microsoft.Getstarted" #Microsoft Tips "Microsoft.Messaging" #Microsoft Messaging - https://www.microsoft.com/en-us/p/microsoft-messaging/9wzdncrfjbq6 - Microsoft Messaging enables, quick, reliable SMS, MMS and RCS messaging from your phone. To get started, select Messaging from the All apps list. "Microsoft.Microsoft3DViewer" #3D Viewer - https://www.microsoft.com/en-us/p/3d-viewe9nblggh42ths - Easily view 3D models and animations in real-time. 3D Viewer lets you view 3D models with lighting controls, inspect model data and visualize different shading modes. In Mixed Reality mode, combine the digital and physical. Push the boundaries of reality and capture it all with a video or photo to share. "Microsoft.MicrosoftOfficeHub" #Office - https://www.microsoft.com/en-us/p/office/9wzdncrd29v9 - The Office app enables you to get the most out of Office by helping you find all your Office apps and files in one place so you can jump quickly into your work. "Microsoft.MicrosoftPowerBIForWindows" #Power BI - https://www.microsoft.com/en-us/p/power-bi/9nblgggzlxn1 - Monitor your most important business data, directly from your device. Get a quick overview with intuitive, at-a-glance visuals, or dive deep into your data and discover new insights with interactive dashboards and reports. "Microsoft.MicrosoftSolitaireCollection" #Microsoft Solitaire Collection - https://www.microsoft.com/en-us/p/microsoft-solitaire-collection/9wzdncrfhwd2 - Check out the new look and feel of Microsoft Solitaire Collection on Windows 10! "Microsoft.MinecraftUWP" #Minecraft - NA (Discontinued) "Microsoft.MixedReality.Portal" #Mixed Reality Portal - https://www.microsoft.com/en-us/p/mixed-reality-portal/9ng1h8b3zc7m - iscover Windows Mixed Reality and dive into more than 3,000 games and VR experiences from Steam®VR and Microsoft Store. Get extraordinary access to live sports and entertainment and connect with others in the ultimate high-octane VR gaming experience. "Microsoft.NetworkSpeedTest" #Network Speed Test - https://www.microsoft.com/en-us/p/network-speed-test/9wzdncrfhx52 - Network Speed Test measures your network delay, download speed and upload speed. "Microsoft.Office.Sway" #Sway - https://www.microsoft.com/en-us/p/sway/9wzdncrd2g0j - Create visually striking newsletters, presentations, and documentation in minutes. "Microsoft.OfficeLens" #Office Lens - https://www.microsoft.com/en-us/p/office-lens/9wzdncrfj3t8 - Office Lens trims, enhances, and makes pictures of whiteboards and docs readable. You can use Office Lens to convert images to PDF, Word and PowerPoint files, and you can even save images to OneNote or OneDrive. "Microsoft.OneConnect" #Paid Wi-Fi & Cellular or Mobile Plans# "Microsoft.People" #Microsoft People - https://www.microsoft.com/en-us/p/microsoft-people/9nblggh10pg8 - People in Windows 10 puts all the ways you connect with all your friends, family, colleagues, and acquaintances in one place, so it’s faster than ever to keep in touch. Check out what your people are up to across the services they use and choose how you want to connect with them. "Microsoft.Print3D" #Print 3D - https://www.microsoft.com/en-us/p/print-3d/9pbpch085s3s - Quickly and easily prepare objects for 3D printing on your PC. With support for Wifi printers, you can 3D print from anywhere on your network. Get the best out of your printer by tuning many custom settings like the extruder temperature and printing speed. "Microsoft.SkypeApp" #Skype - https://www.microsoft.com/en-us/p/skype/9wzdncrfj364 - Skype keeps the world talking. Say “hello” with an instant message, voice or video call – all for free, no matter what device they use Skype on. Skype is available on phones, tablets, PCs, and Macs. "Microsoft.Wallet" #Microsoft Pay# "Microsoft.Whiteboard" #Whiteboard - https://www.microsoft.com/en-us/p/microsoft-whiteboard/9mspc6mp8fm4 - Meet the freeform digital canvas where ideas, content, and people come together. "Microsoft.WindowsFeedbackHub" #Feedback Hub - https://www.microsoft.com/en-us/p/feedback-hub/9nblggh4r32n - Help us make Windows better! Provide feedback about Windows and apps by sharing your suggestions or problems. If you want to be even more involved, then join the Windows Insider program and keep up with the latest alerts and announcements, rate the builds, participate in feedback Quests, and earn badges. "Microsoft.WindowsMaps" #Windows Maps - https://www.microsoft.com/en-us/p/windows-maps/9wzdncrdtbvb - Maps is your guide to everywhere. Find your way with voice navigation and turn-by-turn driving, transit, and walking directions. Search for places to get directions, business info, and reviews. Download maps to use when you’re offline. Tour the world virtually with breathtaking aerial imagery and 360 degree street-level views. Plus, you get the same experience across all your Windows 10 PCs and phones. "Microsoft.WindowsPhone" "Microsoft.WindowsReadingList" #Windows Reading List - https://www.microsoft.com/en-us/p/windows-reading-list/9wzdncrfj3rx - Do you ever run out of time to read articles or watch videos you’ve found online? With Reading List, you can easily track and manage all of the content you want to get back to later in a beautiful display. You can share content to your list from the web or from other apps and easily come back to it when you have more time. Whatever you like to read or watch, the app makes it easy to save, find and get back to things you like, listing content you've saved in chronological order. "Microsoft.YourPhone" #Your Phone - https://www.microsoft.com/en-us/p/your-phone/9nmpj99vjbwv - You love your phone. So does your PC. Get instant access to everything you love on your phone, right on your PC. Reply to your text messages with ease, stop emailing yourself photos, and receive and manage your phone’s notifications on your PC. #3rd Party "2FE3CB00.PicsArt-PhotoStudio" "46928bounde.EclipseManager" #Eclipse "613EBCEA.PolarrPhotoEditorAcademicEdition" "6Wunderkinder.Wunderlist" "7EE7776C.LinkedInforWindows" "89006A2E.AutodeskSketchBook" "9E2F88E3.Twitter" "A278AB0D.DisneyMagicKingdoms" "A278AB0D.MarchofEmpires" "ActiproSoftwareLLC.562882FEEB491" #Code Writer "AdobeSystemIncorporated.AdobePhotoshop" #Photoshop Express "CAF9E577.Plex" #Plex "ClearChannelRadioDigital.iHeartRadio" "D52A8D61.FarmVille2CountryEscape" "D5EA27B7.Duolingo-LearnLanguagesforFree" #Duolingo "DB6EA5DB.CyberLinkMediaSuiteEssentials" "DolbyLaboratories.DolbyAccess" "Drawboard.DrawboardPDF" "Facebook.Facebook" #Facebook "Fitbit.FitbitCoach" "flaregamesGmbH.RoyalRevolt2" "Flipboard.Flipboard" #Flipboard "GAMELOFTSA.Asphalt8Airborne" "KeeperSecurityInc.Keeper" "king.com.*" "king.com.BubbleWitch3Saga" "king.com.CandyCrushFriends" "king.com.CandyCrushSaga" "king.com.CandyCrushSodaSaga" "NORDCURRENT.COOKINGFEVER" "PandoraMediaInc.29680B314EFC2" #Pandora "Playtika.CaesarsSlotsFreeCasino" "ShazamEntertainmentLtd.Shazam" "TheNewYorkTimes.NYTCrossword" "ThumbmunkeysLtd.PhototasticCollage" "TuneIn.TuneInRadio" "WinZipComputing.WinZipUniversal" "XINGAG.XING" ) $AppsNamedPC = @( "microsoft.windowscommunicationsapps" #Mail and Calendar - https://www.microsoft.com/en-us/p/mail-and-calenda9wzdncrfhvqm - The Mail and Calendar apps help you stay up to date on your email, manage your schedule and stay in touch with people you care about the most. Designed for both work and home, these apps help you communicate quickly and focus on what’s important across all your accounts. Supports Office 365, Exchange, Outlook.com, Gmail, Yahoo! and other popular accounts. "Microsoft.XboxApp" #Xbox Console Companion - https://www.microsoft.com/en-us/p/xbox-console-companion/9wzdncrfjbd8 - The Xbox app brings together your friends, games, and accomplishments across Xbox One and Windows 10 devices. The best multiplayer gaming just got better. "Microsoft.XboxGameOverlay" #Xbox Game Bar - https://www.microsoft.com/en-us/p/xbox-game-ba9nzkpstsnw4p - Win+G it with Xbox Game Bar, the customizable, gaming overlay built into Windows 10. Xbox Game Bar works with most PC games, giving you instant access to widgets for screen capture and sharing, finding new teammates with LFG, and chatting with Xbox friends across Xbox console, mobile, and PC—all without leaving your game. "Microsoft.XboxGamingOverlay" #Xbox Gaming Overlay "Microsoft.XboxIdentityProvider" #Xbox Identity Provider "Microsoft.XboxSpeechToTextOverlay" #3rd Party "4DF9E0F8.Netflix" #Netflix - https://www.microsoft.com/en-us/p/netflix/9wzdncrfj3tj - Netflix has something for everyone. Watch TV shows and movies recommended just for you, including award-winning Netflix original series, movies, and documentaries. There’s even a safe watching experience just for kids with family-friendly entertainment. "SpotifyAB.SpotifyMusic" #Spotify - https://www.microsoft.com/en-us/p/spotify-music/9ncbcszsjrsb - Love music? Play your favorite songs and albums free on Windows 10 with Spotify. ) $AppsSharedPC = @( "Microsoft.Office.OneNote" #OneNote - https://www.microsoft.com/en-us/p/onenote/9wzdncrfhvjl - OneNote is your digital notebook for capturing and organizing everything across your devices. Jot down your ideas, keep track of classroom and meeting notes, clip from the web, or make a to-do list, as well as draw and sketch your ideas. "Microsoft.Todos" #Microsoft To Do - https://www.microsoft.com/en-us/p/microsoft-to-do-lists-tasks-reminders/9nblggh5r558 - Got something on your mind? Get Microsoft To Do. Whether you want to increase your productivity, decrease your stress levels, or just free up some mental space, Microsoft To Do makes it easy to plan your day and manage your life. "Microsoft.WindowsCamera" #Windows Camera - https://www.microsoft.com/en-us/p/windows-camera/9wzdncrfjbbg - The Camera app is faster and simpler than ever. Just point and shoot to take great pictures automatically on any PC or tablet running Windows 10. "Microsoft.WindowsSoundRecorder" #Windows Voice Recorder - https://www.microsoft.com/en-us/p/windows-voice-recorde9wzdncrfhwkn - Record sounds, lectures, interviews, and other events. Mark key moments as you record, edit, or play them back. ) $AppsServerPC = @( "Microsoft.MSPaint" #Paint 3D - https://www.microsoft.com/en-us/p/paint-3d/9nblggh5fv99 - Whether you’re an artist or just want to try out some doodles–Paint 3D makes it easy to unleash your creativity and bring your ideas to life. Classic Paint has been reimagined, with an updated look and feel and a ton of new brushes and tools. And now, create in every dimension. Make 2D masterpieces or 3D models that you can play with from all angles. "Microsoft.MicrosoftStickyNotes" #Microsoft Sticky Notes - https://www.microsoft.com/en-us/p/microsoft-sticky-notes/9nblggh4qghw - Need to remember something for later? Use Microsoft Sticky Notes. They're the simple way to quickly save something for later, so you can stay in the flow. With Sticky Notes, you can create notes, type, ink or add a picture, add text formatting, stick them to the desktop, move them around there freely, close them to the Notes list, and sync them across devices and apps like OneNote Mobile, Microsoft Launcher for Android, and Outlook for Windows. "Microsoft.WindowsAlarms" #Windows Alarms & Clock - https://www.microsoft.com/en-us/p/windows-alarms-clock/9wzdncrfj3pr - A combination of alarm clock, world clock, timer, and stopwatch. Set alarms and reminders, check times around the world, and time your activities, including laps and splits. "Microsoft.WindowsCalculator" #Windows Calculator - https://www.microsoft.com/en-us/p/windows-calculato9wzdncrfhvn5 - A simple yet powerful calculator that includes standard, scientific, and programmer modes, as well as a unit converter. It's the perfect tool to add up a bill, convert measurements in a recipe or other project, or complete complex math, algebra, or geometry problems. Calculator history makes it easy to confirm if you've entered numbers correctly. "Microsoft.Windows.Photos" #Microsoft Photos -https://www.microsoft.com/en-us/p/microsoft-photos/9wzdncrfjbh4 - View and edit your photos and videos, make movies, and create albums. Try video remix to instantly create a video from photos and videos you select. Use the video editor for fine-tuned adjustments — change filters, text, camera motion, music, and more. You can even add 3D effects like butterflies, lasers, or explosions that magically appear in your video. "Microsoft.ZuneMusic" #Groove Music - https://www.microsoft.com/en-us/p/groove-music/9wzdncrfj3pt - Listen to your favorite music in Groove on your Windows, iOS, and Android devices. Create a playlist with music you've purchased or uploaded to OneDrive or pick your background music on Xbox One. "Microsoft.ZuneVideo" #Movies & TV - https://www.microsoft.com/en-us/p/movies-tv/9wzdncrfj3p2 - All your movies and TV shows, all in one place, on all your devices. Movies & TV brings you the latest entertainment in one simple, fast, and elegant app on Windows. On your PC and Windows Mobile, the app lets you play and manage videos from your personal collection. On all your devices, you can use the app to browse and play movies and TV shows you’ve purchased from the Store. ) <#---APPS THAT SHOULD NEVER BE REMOVED FOR ANY TYPE OF WINDOWS PC $RemainingAppsForReference = @( #"1527c705-839a-4832-9118-54d4Bd6a0c89" #File Picker - App which cannot be removed using Remove-AppxPackage #"c5e2524a-ea46-4f67-841f-6a9465d9d515" #File Explorer - App which cannot be removed using Remove-AppxPackage #"E2A4F912-2574-4A75-9BB0-0D023378592B" #App Resolver UX - App which cannot be removed using Remove-AppxPackage #"F46D4000-FD22-4DB4-AC8E-4E1DDDE828FE" #Add Suggested Folders To Library - App which cannot be removed using Remove-AppxPackage #"InputApp" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.AAD.BrokerPlugin" #Microsoft.AAD.Broker.Plugin - App which cannot be removed using Remove-AppxPackage #"Microsoft.AccountsControl" #Microsoft.AccountsControl - App which cannot be removed using Remove-AppxPackage #"Microsoft.Advertising.Xaml" #Microsoft.Advertising - Framework apps which other apps depend on #"Microsoft.AsyncTextService" #Microsoft.AsyncTextService - App which cannot be removed using Remove-AppxPackage #"Microsoft.BioEnrollment" #Hello setup UI - App which cannot be removed using Remove-AppxPackage #"Microsoft.CredDialogHost" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.DesktopAppInstaller" #App Installer - Keeping just in case we ever want to deploy UWP apps #'Microsoft.DirectXRuntime' #? - Framework apps which other apps depend on #"Microsoft.ECApp" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.HEIFImageExtension" #HEIF Image Extensions - Keeping so HEIF compressed images can be opened #"Microsoft.LockApp" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.MicrosoftEdge" #Microsoft Edge - App which cannot be removed using Remove-AppxPackage #"Microsoft.MicrosoftEdgeDevToolsClient" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.NET.Native.Framework.1.3" #Framework app which other apps depend on #"Microsoft.NET.Native.Framework.1.6" #Framework app which other apps depend on #"Microsoft.NET.Native.Framework.1.7" #Framework app which other apps depend on #"Microsoft.NET.Native.Framework.2.1" #Framework app which other apps depend on #"Microsoft.NET.Native.Framework.2.2" #Framework app which other apps depend on #"Microsoft.NET.Native.Runtime.1.4" #Framework app which other apps depend on #"Microsoft.NET.Native.Runtime.1.6" #Framework app which other apps depend on #"Microsoft.NET.Native.Runtime.1.7" #Framework app which other apps depend on #"Microsoft.NET.Native.Runtime.2.2" #Framework app which other apps depend on #"Microsoft.PPIProjection" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.RemoteDesktop" #Remote Desktop - Functionality, expected to be there #"Microsoft.Services.Store.Engagement" #Framework app which other apps depend on #"Microsoft.StorePurchaseApp" #Store Purchase App#Framework app which other apps depend on (not really but needed for store to function) #"Microsoft.UI.Xaml.2.0" #Framework app which other apps depend on #"Microsoft.UI.Xaml.2.1" #Framework app which other apps depend on #"Microsoft.UI.Xaml.2.2" #Framework app which other apps depend on #"Microsoft.VCLibs.120.00.Universal" #Framework app which other apps depend on #"Microsoft.VCLibs.140.00" #Framework app which other apps depend on #"Microsoft.VCLibs.140.00.UWPDesktop" #Framework app which other apps depend on #"Microsoft.VP9VideoExtensions" #Keeping so VP9 media can be played back #"Microsoft.WebMediaExtensions" #Web Media Extensions#basic functionality #"Microsoft.WebpImageExtension" #Webp Image Extension#basic functionality #"Microsoft.Win32WebViewHost" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.Windows.Apprep.ChxApp" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.Windows.AssignedAccessLockApp" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.Windows.CapturePicker" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.Windows.CloudExperienceHost" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.Windows.ContentDeliveryManager" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.Windows.Cortana" #Cortana - App which cannot be removed using Remove-AppxPackage #"Microsoft.Windows.NarratorQuickStart" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.Windows.OOBENetworkCaptivePortal" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.Windows.OOBENetworkConnectionFlow" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.Windows.ParentalControls" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.Windows.PeopleExperienceHost" #People Hub - App which cannot be removed using Remove-AppxPackage #"Microsoft.Windows.PinningConfirmationDialog" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.Windows.SecHealthUI" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.Windows.SecureAssessmentBrowser" #? - App which cannot be removed using Remove-AppxPackage #"Microsoft.Windows.ShellExperienceHost" #Start - App which cannot be removed using Remove-AppxPackage #"Microsoft.Windows.XGpuEjectDialog" #? - apps which cannot be removed using Remove-AppxPackage #"Microsoft.WindowsFeedback" #Windows Feedback - App which cannot be removed using Remove-AppxPackage #"Microsoft.WindowsStore" #Microsoft Store -Vital functionality #"Microsoft.Xbox.TCUI" #? - App shouldn't be removed as it causes issues with Windows Photos, Windows Hello and others #"Microsoft.XboxGameCallableUI" #? - App which cannot be removed using Remove-AppxPackage #"Windows.ContactSupport" #Contact Support - App which cannot be removed using Remove-AppxPackage #"Windows.CBSPreview" #? - App which cannot be removed using Remove-AppxPackage #"windows.immersivecontrolpanel" #Settings - App which cannot be removed using Remove-AppxPackage #"Windows.PrintDialog" #Print UI - App which cannot be removed using Remove-AppxPackage ) #> #EndRegion App Listing switch ($PCType) { Home { $AllAppsToRemove = $AppsHomePC } Named { $AllAppsToRemove = $AppsHomePC + $AppsNamedPC } Shared { $AllAppsToRemove = $AppsHomePC + $AppsNamedPC + $AppsSharedPC } Server { $AllAppsToRemove = $AppsHomePC + $AppsNamedPC + $AppsSharedPC + $AppsServerPC } } If ($list) { Write-Output "LIST OF APPS IN -PCType $PCType" ForEach ($App in $AllAppsToRemove) { Write-Output $App } Break } $ProvisionedAppxPackages = Get-AppxProvisionedPackage -Online $ProvisionedAppxPackagesToRemove = @() #Determine what apps that are provisioned on this PC to be removed by comparing against the list (Home, Named, Shared, Server) foreach ($Appx in $AllAppsToRemove) { $ProvisionedAppxPackagesToRemove += ($ProvisionedAppxPackages | Where-Object { $_.DisplayName -eq $Appx }) } $InstalledAppxPackages = Get-AppxPackage -AllUsers $InstalledAppxPackagesToRemove = @() #Determine what apps that are installed on this PC to be removed by comparing against the list (Home, Named, Shared, Server) foreach ($Appx in $AllAppsToRemove) { $InstalledAppxPackagesToRemove += ($InstalledAppxPackages | Where-Object { $_.Name -eq $Appx }) } } process { If ($ProvisionedAppxPackagesToRemove.length -ge 1) { Write-Output "***Removing select provisioned appx packages for this machine...***" Write-Log -Text 'Removing select provisioned appx packages for this machine' -Type 'INFO' -Path $LogPath foreach ($ProvisionedAppx in $ProvisionedAppxPackagesToRemove) { if ($PSCmdlet.ShouldProcess($ProvisionedAppx.DisplayName, 'Remove-AppxProvisionedPackage -Online -AllUsers')) { try { $ProvisionedAppx | Remove-AppxProvisionedPackage -Online -AllUsers -Verbose -ErrorAction Continue Write-Output $("Removed " + $ProvisionedAppx.DisplayName) Write-Log -Text $("Removed " + $ProvisionedAppx.DisplayName) -Type 'INFO' -Path $LogPath } catch { Write-Warning $('Unable to remove ' + $ProvisionedAppx.DisplayName) Write-Log -Text $('Unable to remove ' + $ProvisionedAppx.DisplayName) -Type 'WARNING' -Path $LogPath } } } } else { Write-Output "***No provisioned appx packages from your selection were found for this machine...***" Write-Log -Text 'No provisioned appx packages from your selection were found for this machine' -Type 'INFO' -Path $LogPath } If ($InstalledAppxPackagesToRemove.length -ge 1) { Write-Output "***Removing select installed appx packages for this machine...***" Write-Log -Text 'Removing select installed appx packages for this machine' -Type 'INFO' -Path $LogPath foreach ($InstalledAppx in $InstalledAppxPackagesToRemove) { if ($PSCmdlet.ShouldProcess($InstalledAppx.Name, 'Remove-AppxPackage -AllUsers')) { try { $InstalledAppx | Remove-AppxPackage -AllUsers -Verbose -ErrorAction Continue Write-Output $("Removed " + $InstalledAppx.Name) Write-Log -Text $("Removed " + $InstalledAppx.Name) -Type 'INFO' -Path $LogPath } catch { Write-Warning $('Unable to remove ' + $InstalleddAppx.Name) Write-Log -Text $('Unable to remove ' + $InstalleddAppx.Name) -Type 'WARNING' -Path $LogPath } } } } else { Write-Output "***No installed appx packages from your selection were found for this machine...***" Write-Log -Text 'No installed appx packages from your selection were found for this machine' -Type 'INFO' -Path $LogPath } } end { Write-Log -Text 'Stopping Remove-Win10Apps script as it has finished running' -Type 'INFO' -Path $LogPath } 
submitted by worthinge to PowerShell [link] [comments]

My take on fixing the Dark Universe

Much like Frankenstein's famous monster, the Dark Universe is probably doomed to be remembered as a failed experiment cobbled together from spare parts, and a cautionary tale about the perils of playing God. As Universal Pictures found out the hard way: creating a universe is really hard, even if that universe happens to be fictional.
At best, Dracula Untold and The Mummy were just a pair of bland, forgettable fantasy films with a few neat ideas thrown in. At worst, they embody the most deplorable excesses of Hollywood's love affair with franchises and reboots, and they serve as a reminder that a "cinematic universe" isn't a magic bullet that guarantees massive success.
In case you forgot: Dracula Untold bombed so hard that the studio retroactively exiled it from the franchise (and they don't even like to admit that it was ever part of a franchise), and The Mummy put the name of the franchise in its opening credits before the franchise was even established.
But was this series always doomed to failure, or was it just flawed in its execution? Call me crazy, but I think there was the kernel of a great series in both of those movies, even as disappointing as they were.
A Dracula movie set in the Middle Ages, with historical details about the real Vlad Dracula thrown in? Awesome! A Mummy movie that's also a spy thriller, where Tom Cruise plays an undead superhero? Okay, that was stupid... But that room full of classic monster Easter Eggs was pretty cool, right?
So what happened? In short: a lot of things. Dracula Untold had a promising story, but I really think its premise ran into a big problem:
Origin stories are extremely hard to do well.
They're definitely not impossible (the rules of storytelling are more like guidelines, after all), but not every character can be improved with a definitive origin story.
It's one thing to make a feature-length origin story about an iconic hero like James Bond or Batman, since they're sympathetic characters whom we're meant to identify with. For anybody who's ever daydreamed about being a superhero or a secret agent, those fantasies instantly become a lot more vivid when we see a hero's human side, and we learn how they came to be; once we see that our heroes aren't so different from us, it's easier to imagine that we could be like them.
Monsters, though? Monsters are a different story. While most great villains have a human side, they usually become iconic because they embody something primal and archetypal that we find scary, and they derive their power from their mystery.
Moviegoers of the 1960s loved Ernst Stavro Blofeld because he embodied everything that they found scary about dictators on the far side of the Iron Curtain. Comic book fans love the Joker because he's the personification of chaos, and he embodies everything that we find scary about crime. And supernatural villains like Maleficent, the Wicked Witch of the West, and—yes—Dracula embody everything that we find scary about the occult.
That's probably why most James Bond fans loved it when Casino Royale explored Bond's origins, but hated it when Spectre tried to do the same for Blofeld. It's also probably why Batman fans loved it when Batman Begins explained how Bruce Wayne became Batman, but didn't mind that The Dark Knight explained almost nothing about the Joker. And it's probably why Maleficent and Oz the Great and Powerful got such lukewarm receptions when they tried to explain how Maleficent and the Wicked Witch became evil. When you explain too much about an iconic villain, you run the risk of robbing them of their mystique.
(That's also why I'm not so optimistic about the upcoming Joker origin movie, though I'll wait until it comes out before I criticize it)
The thing is, though...a prequel doesn't necessarily have to be an origin story. It's possible to shed some light on a character's past without devoting a whole story to explaining how they became the way they are. Case in point: compare the movie Hannibal Rising to the TV series Hannibal. They're both prequels to the Hannibal Lecter saga, but one was a critically panned box-office bomb, and the other was a critically praised cult classic with a devoted fandom. Why? There are a lot of reasons why—but for starters, one was devoted to "explaining" how Lecter became Lecter, and the other actually gives Lecter a chance to be Lecter.
Instead of just answering every single question about Lecter's past, Hannibal devotes its creative energy to being a genuinely solid crime drama with a strong dose of gothic horror, and it actually manages to stand on its own alongside The Silence of the Lambs and Red Dragon without being entirely defined by either of them. In a perfect world, that's the sort of prequel that Dracula Untold should have been: a solid supernatural horror story set in the Middle Ages, which could paved the way for the original Dracula without being entirely defined by it.
But what if we actually had gotten a Dracula prequel like that? And what if we had gotten a Mummy movie that logically built on its plot points, and set up the framework of a franchise without shoving it down our throats? And what if we had gotten, say, a Frankenstein movie and a Wolf Man movie that built on both of them, and set up an epic "monster mash" in the vein of Frankenstein Meets the Wolf Man or House of Dracula? What might those movies have looked like?
Well...
Dracula: Untold (2014)
Setting: Transylvania, 1473
As our movie opens, we're introduced to our protagonist: a handsome, dark-haired Prince who rules over a vast swath of territories in Eastern Europe, including Transylvania. A lifelong soldier, he's led his people to victory in dozens of battles, he always wears a suit of armor, and he can wield a sword as well as any of his loyal knights. If it helps, you can imagine imagine Luke Evans playing him.
But protagonist isn't Vlad Tepes (the man better known as "Dracula", or "Vlad the Impaler"). Instead, he's a different historical monarch: Matthias Corvinus, the King of Hungary. As any Dracula fan will tell you, Matthias Corvinus was arguably the single most important figure in the historical Dracula's life; a revered monarch who became legendary for his prowess in battle and his patronage of the arts, he was alternately an ally and rival of Prince Vlad of Wallachia, who fought alongside him against the Ottoman Empire. Here, Matthias is our hero, and Dracula is the villain of the story—as he should be.
Over the course of his three decades on the throne, Matthias has seen the world change, not always for the better. It's been twenty years since the great city of Constantinople fell to the Ottoman sultan Mehmed II, spelling the end of the last vestiges of the Roman Empire. As the sultan's power grows, the lords and princes of Christian Europe fear that the religion of Islam will soon dominate the West. While all of this plays out, rumors spread of strange creatures hiding in the shadowy lands east of the Carpathian Mountains, where the brutal prince Vlad—called "Dracula", or "Son of the Beast"—holds sway over the kingdom of Wallachia.
While Mehmed's armies grow ever closer to the borders of Matthias' kingdom, Matthias answers a call for help from the province of Transylvania, where strange and terrible things are afoot. The corpses of peasants are turning up in the woods, completely drained of their blood; entire villages are vanishing without explanation; massive swarms of bats can be seen flying over the countryside in the dead of night; hunters regularly encounter enormous wolf-like creatures, which walk on two legs like men. Matthias realizes that his kingdom is falling under the sway of evil forces, and he must confront them.
Against the advice of his men, Matthias decides to lead a party of knights across the Carpathian Mountains to investigate the rash of mysterious deaths, knowing that his journey will lead him into the heart of Wallachia. As he and his men travel farther and farther from home, they find themselves fighting for their lives against ferocious werewolves and hostile villagers, and they soon realize why so many villagers are vanishing: someone is turning them into mindless vampires, and they're leaving their homes to seek fresh blood. After one deadly confrontation with a swarm of vampires, Matthias is forced to behead one of his own knights to prevent him from becoming one of them, and a local apothecary offers him some advice on how to kill a vampire.
After explaining how to ward off vampires with stakes and crucifixes, the apothecary tells Matthias the disturbing tale of Prince Vlad, who hasn't been seen outside of his castle in months. She explains that she was once a servant in the castle, but fled for her life after she witnessed Vlad drinking blood from a chalice in a disturbing occult ritual. She believes that the Prince has become a vampire, and that he has sworn allegiance to Lucifer in exchange for eternal life. Though Matthias doubts her story about Vlad being in league with Lucifer, he knows that the vampires must have a master, and believes that it might be Vlad.
But the apothecary's warning comes too late: Matthias and his party are ambushed and captured by vampires, who take them to Prince Vlad's castle. When Matthias awakes, he finds himself in chains in Vlad's throne room, and Vlad—played by Charles Dance—formally introduces himself. He informs Matthias that he no longer answers to his old name, and is now only "Dracula". With that, Matthias is forced to watch helplessly as Dracula fatally impales his comrades on wooden stakes, and Dracula's vampire servants eagerly gather their blood in a chalice and present it to their master. As Dracula sips from his chalice, he informs Matthias that the apothecary's story was true: he really is a servant of Lucifer. And now that he has a noble-born prince as a captive, he plans to sacrifice him to Lucifer, which will grant him enough power to make him unstoppable.
While Dracula prepares the sacrifice ritual, he throws Matthias into his dungeon to await his fate. But with quick thinking and a little bit of luck, Matthias manages to escape after one of Dracula's brides disobeys her master's orders and sneaks into the dungeons to take some of Matthias' blood for herself. Heeding the apothecary's advice, he manages to fight his way through legions of vampires, and rushes back to Dracula's throne room to confront him. Just as he does, Dracula speaks the incantation to summon his master Lucifer, and Matthias finds himself staring through a fiery portal into Hell—where he sees Lucifer staring right back at him.
Just at that moment, salvation arrives: the sultan's army is on the march, and they've reached Dracula's castle. As Matthias picks up his sword and engages Dracula in battle, a barrage of cannon-fire rings out, and the Ottoman army lays siege to the castle. Little by little, the castle begins to crumble, and Dracula falls into the dungeons, where he's buried under a pile of stone rubble. As the castle's walls fall, Matthias makes his escape and sets off for home.
Days later, as Matthias lays down to sleep beside his wife, he has a disturbing dream about Dracula—who is trapped in the dungeons of his ruined castle, but very much alive. In his dream, Dracula assures him that he will rise again, and he reminds Matthias that he's immortal; the next time he threatens the people of Transylvania, Matthias may not be alive to stop him...
The Mummy: Unconquered (2016)
Setting: Egypt, 1798
Our story picks up more than 300 years after the sultan's troops destroyed Castle Dracula. The year is 1798, and the Ottoman Empire still rules over much of Eastern Europe and the Middle East—including Egypt, where the Mamluk rulers Mourad and Ibrahim swear fealty to the sultan. After decades of war and revolutionary upheaval in Europe, rumors spread of an ambitious Corsican military officer, who has risen through the ranks of the French Army to become one of the most feared men on the Continent. Now, with an unparalleled fighting force at his command, he plans to set his sights on Egypt. His name? Napoleon Bonaparte.
Our protagonist is a young Egyptian man named Salim, who reluctantly answers the call to enlist in the Egyptian Army as Napoleon's forces march from Alexandria and make their move on Cairo. He is forced to leave his fiancee, Yasmin, whose father Mustafa is a renowned scholar who manages a library in Cairo. As he fights with the Egyptian Army in the Battle of the Pyramids, he narrowly escapes with his life as the French Army massacres his friends and comrades, and takes hundreds of Egyptian prisoners. Unbeknownst to him, though, Napoleon has more than conquest on his mind; he's looking for the long-lost Temple of Set, which supposedly houses a fabled ceremonial dagger that can make its bearer unstoppable in battle. With the Egyptian forces scattered, he and his army strike out into the desert to seek out the temple. One of his commanders is a certain German baron, whose name will become important later.
Eventually, Napoleon finds his way to the temple, which is half-buried in the desert sands, and nearly inaccessible. But against all odds, he fights his way to the heart of the temple and takes the dagger, though he begins to have his doubts about whether it will really bring him the power that he seeks. As he leaves the temple, he doesn't notice that something is stirring in a stone sarcophagus...
Exhausted from battle, Salim manages to make his way back to Yasmin and her father in Cairo, just as Napoleon's forces swarm the streets. Together, they plan to flee the city before more soldiers arrive, but Mustafa refuses to go with them, insisting that he can't leave his library. Before they can make their escape, the German baron forces his way into Mustafa's library and threatens him at knife-point. He tells him that Napoleon has found the dagger in the Temple of Set, but he suspects that there is a secret to claiming its power—and he believes that he'll find that secret in one of the books in Mustafa's library. Visibly terrified, Mustafa insists that there is no such secret, but he tells the baron that he must return the dagger to the temple.
"The Dagger of Set is no key to power—it's a safeguard against a great evil. There are shadowy forces lurking in the Temple of Set, and the dagger is the only thing keeping them back! Once it's removed..."
But his warning comes too late: a monstrous horde of giant scarabs swarms the city of Cairo, attacking and devouring everyone in their path. Salim and co. manage to escape from the baron, and they take shelter in the cellar of Mustafa's library. As they hide from the rampaging insects, Mustafa explains the full story of the Temple of Set.
In his younger days, Mustafa was a scholar in the court of the sultan, and he had the opportunity to learn many secrets in his palace library. While there, he learned the story of Imhotep, an infamous high priest from the New Kingdom of Egypt who made a pact with the evil god Set in exchange for eternal life and everlasting power. It's said that the Pharaoh had Imhotep mummified alive and sealed in his own temple when he grew too powerful, and he placed the enchanted dagger in the temple to prevent him from leaving. For centuries, the Temple of Set has remained abandoned, and Imhotep has remained dormant—but he's as alive as ever, and only needs an opportunity to free himself. To seal him back in his prison, the dagger must be returned to its rightful place in the temple
"Over 300 years ago, the sultan's army laid siege to a castle in the Carpathian Mountains. Something evil dwelt in its foundations, and they dared not set it free. There are places in the world where evil gathers like a deadly plague, awaiting the chance to spread. That castle was one such place. The Temple of Set is another."
Back in the Temple of Set, Imhotep—a grotesque, withered figure wrapped in bandages—rises from his sarcophagus and summons a massive army of reanimated corpses. As Imhotep and his army march on Cairo together, the scarabs continue to swarm the city, and Salim and Yasmin fight to survive as they look for the missing dagger. When Napoleon's forces spot the army of corpses marching through the desert, they gather in formation to fight them off, and Salim takes the opportunity to steal the dagger from Napoleon's camp. In a massive battle, Napoleon and the baron lead a cavalry charge against Imhotep's forces, distracting them just long enough for Salim and Yasmin to make their way to the temple to return the dagger.
In the climax, Yasmin and Salim infiltrate the Temple of Set and fight their way to the center of the massive structure while Imhotep attempts to chase them down. Moments before they return the dagger to its resting place, they have a blood-curdling encounter with Set himself, whom Imhotep has summoned as a witness to his return. As Set taunts our heroes, his face changes shape for one brief moment, and becomes the face of Lucifer; though the moment is fleeting, it instantly becomes clear that Set and Lucifer are the same being—meaning that Imhotep and Dracula are in thrall to the same master.
Against all odds, they manage to return the dagger just before Imhotep closes in on them. Imhotep cries out to his master Set to save him, but the god turns his back on him, coldly telling him that he's not worthy of his power if he can be foiled by a pair of lowly mortals. Meanwhile, Imhotep's undead soldiers crumble into dust as Napoleon's army holds them off. When the dust settles, the baron has been grievously injured in the fighting, and has lost his right leg.
With that, Salim and Yasmin settle down in Cairo to start a family together. Though Imhotep has been defeated, Napoleon's forces remain in Egypt, and Salim and Yasmin must face the harsh reality of living under foreign occupation. In the final scene, Napoleon sends the injured baron back to Germany for medical treatment, and thanks him for his fine service as he bids him farewell.
"You've fought well. Travel safely, Baron Von Frankenstein..."
Frankenstein: Unchained (2018)
Setting: Germany, 1820
A little over twenty years after Imhotep and his undead army were defeated in Egypt, the German nobleman Alphonse Von Frankenstein—a battle-hardened veteran of the Napoleonic Wars—has settled down and started a family. Haunted by his experiences in Egypt (which he refuses to speak about), he is known for his cold demeanor, and his children Victor and Elizabeth often have a strained relationship with him. Their relationship becomes even more difficult when Alphonse's wife Caroline suddenly dies of scarlet fever when Victor is just a child, causing Alphonse to become a chronically depressed recluse. A bookish child, Victor seeks solace in scientific texts, and soon becomes obsessed with esoteric disciplines like alchemy and mysticism; haunted by the loss of his mother, he is determined to find a way to conquer death through science, and believes that it might be possible to create life in a laboratory.
Though Elizabeth becomes concerned about her brother's mental state, Victor soon proves himself as a science prodigy, and he eventually receives an exclusive invitation to study medicine at Ingolstadt University, a prestigious German university with a rather ghoulish reputation. Though no one has ever been able to prove it, it's rumored that the students and faculty at Ingolstadt often perform grotesque experiments on live human test subjects. Supposedly, some of the students have even done research on how to resurrect the dead.
While studying at Ingolstadt, Victor soon becomes intrigued by the sprawling university and its many hidden places. As he soon learns, the school is also home to a highly exclusive secret society known as "Prodigium", whose members have access to the most jealously guarded texts and research in the school's inner sanctum. Victor exhaustively pursues his studies in science and medicine, and he finally gets his chance to join the ranks of Prodigium when his wealthy roommate Igor Waldman reveals that he is a member, and he tells Victor that he has been nominated for membership. Ecstatic, Victor accompanies Igor to attend Prodigium's initiation ritual on the night of a full moon, and he's finally given access to the secret library at the heart of Ingolstadt.
As the assembled members of Prodigium don hooded cloaks and gather around a circle of candles surrounding a mirror, Victor suddenly realizes—to his utter horror—that the group is actually an occult sect, and they regularly gather in the library for pagan rites and rituals. When the initiation ritual commences, the group begins chanting a prayer to a being known as "The Dark One", and they call Victor forward to join in. When he does, a mysterious black-eyed figure appears in the mirror and beckons to him; as he looks on, the figure's face changes, first becoming the face of Lucifer, then the face of Set. As Victor looks around at his surroundings, he realizes that the room is filled with antique art, including a set of Egyptian hieroglyphs depicting Imhotep, and an oil portrait of Dracula. Though Victor is terrified by all that he sees, Igor convinces him to stay, telling him that Prodigium has the resources to make his dreams a reality.
"I know that you have potential, Victor. You want to create life. Some might call you mad, but we understand. The power to create life shouldn't belong to God alone. You can lead the way into a new age. We'll be right behind you!"
Victor accepts his membership in Prodigium, giving him access to the laboratory in Ingolstadt's inner sanctum—where he has a fully stocked vault of chemicals and scientific equipment at his disposal, along with all of the cadavers and preserved organs that he could ever need. As he begins to experiment on human bodies, Igor moves into the lab to assist him, and he subtly encourages Victor when he begins to have doubts about the ethics of his work. Finally, many months later, Victor manages to piece together a complete human specimen from preserved body parts, and he and Igor prepare to use a lightning storm to bring the specimen to life. As the Creature comes to life on the laboratory slab, Victor—overcome with emotion—names it "Adam", reminded of the story of the Garden of Eden. But Igor rebukes Victor for invoking the Bible, and tells him that he shouldn't get too attached to the Creature. With that, the other members of Prodigium appear and drag the Creature into the crypts beneath the laboratory.
It turns out that Victor was always just a pawn in Prodigium's ultimate plan: creating a living vessel for their master, "The Dark One", that will allow him to cross into the mortal world and rule over humanity. Since the Creature is an artificially created being, he has no soul, making his body the perfect empty vessel for the Dark One's soul. Now that Victor's experiment has succeeded, they have only to wait until the next full moon to perform the summoning ritual.
Against all odds, the Creature successfully manages to escape from the crypts, and he flees into the Bavarian countryside. As Igor and his friends leave the university to hunt him down, Victor sets out to find the Creature before Prodigium does, determined to save him. Fortunately, he finds the Creature taking refuge in a local farmhouse, and he comforts him and brings him food. As the Creature takes shelter, Victor tells him that his true name is "Adam", and he promises that he won't let Prodigium take him. To his surprise, the Creature—Adam—speaks to him, revealing that he's intelligent and capable of understanding human speech. As they take the time to get to know each other, Victor resolves to smuggle him out of the country and take him where Prodigium can't hurt him.
Their moment of peace turns out to be fleeting; some of the local villagers are in league with Prodigium, and they tip Igor off about Victor's location. As Prodigium closes in, Adam fights back, revealing his superhuman strength as he kills six of Igor's goons with his bare hands. Finally, Victor and Adam manage to board a stagecoach, and a frantic chase ensues as they race through the countryside. After several days on the run, they manage to make it to the port of Hamburg, where Victor hopes to find Adam safe passage on a steamship. Unfortunately, Prodigium manages to head them off.
In a climactic final standoff with Igor, Victor sacrifices his life to save Adam as he boards his ship. As the ship pulls away from the port, Adam watches helplessly as his creator dies, and he promises that he'll make his sacrifice a worthy one.
In the final scene, back at the Frankenstein family estate, Elizabeth receives a letter written in handwriting that she doesn't recognize. As she reads it, she breaks down in tears as she learns that her beloved brother Victor has died, but the anonymous sender assures her that he died a noble man.
To her surprise, the letter doesn't come with a return address. As the sender cryptically remarks: "It's best that nobody find me..."
The Wolf Man: Untamed (2020)
Setting: America, 1862
A little over 40 years after the death of Victor Frankenstein, the United States has been split in two by the American Civil War, dividing many American families in the heartland. One such family is the Talbots, a family of poor farmers in rural Kansas, who find themselves caught in the middle of a clash between rival pro-slavery and anti-slavery factions.
One fateful day in 1856, 15 year-old Lawrence Talbot is forced to watch helplessly as his father John Talbot is brutally executed by marauders after he's discovered sheltering slaves. Though he never learns the name of his father's killer, he remembers just one detail about the man: he was carrying a distinctive black walking stick with a silver wolf's head on the handle. Six years later, with the war in full-swing, he reluctantly joins the Union Army, and finds himself deployed to Tennessee to fight the Confederates at Shiloh.
During a frenzied exchange of gunfire, Lawrence suddenly recognizes one of the soldiers in the Confederate Army, and realizes—much to his horror—that it's the marauder who killed his father. Six years after killing John Talbot, the man has risen up the ranks of the Confederate Army, and he is now a decorated lieutenant in the service of Colonel Nathan Bedford Forrest. Though he initially doubts his eyes, Lawrence's suspicions are confirmed when his comrades are called to pursue the retreating Confederates, and he discovers the black walking stick abandoned in the mud, complete with the distinctive wolf's head.
As Talbot and his comrades march through the war-torn countryside, they're eventually caught in a Confederate ambush, forcing Talbot and some of his friends to escape into a nearby forest. Fleeing deeper and deeper into the shadowed woods, they find themselves hopelessly lost when night falls. Before long, they hear a strange growling and snarling in the darkness—the telltale sounds of a wolf on the prowl. One by one, Talbot's companions are dragged off into the woods as the wolf hunts them down, and Talbot desperately tries to flee as he hears them being torn to shreds. He runs as fast as his legs will take him, but he can't outrun the wolf, and he passes out as it pounces on him from behind.
To his surprise, Talbot wakes up in a medical tent in a Confederate prison camp, and finds a surgeon tending to his wounds. The surgeon tells him that the Confederates found in the forest, the sole survivor of an apparent wolf attack. While all of his friends were mangled beyond recognition, Talbot got off with just a bite in the leg, and the wolf apparently left him before it could inflict further injuries.
Though the surgeon mends Talbot's leg wound, he tells Talbot that he has been taken as a prisoner of war, and he'll be held in the camp until further notice. Later, when a Confederate officer comes to interrogate him, Talbot learns that the black walking stick was confiscated during his capture; it turns out that its owner is Lieutenant Paul Montford, a well-known officer in the Tennessee Cavalry.
For days, Talbot languishes in the prison camp, growing progressively more angry at his captors as he endures repeated physical abuse and subsists on meager prison rations. Still, he vows to keep going, knowing that his father's killer is still out there.
Then a full moon rises...
As he watches the full moon rise over the countryside, Talbot suddenly feels thick hair growing all over his body, he feels his teeth growing longer and sharper, and he feels his hands and feet becoming razor-clawed paws. Overcome by feral rage, he lets out a mighty howl as he rips off the door of his holding pen. Roaring and snarling, he charges at the Confederate guards as they surround him and open fire, and he effortlessly tears through their ranks, biting and slashing at every soldier that dares cross him.
As the Rebels and the Union prisoners flee in terror, Talbot finally manages to fight his way to the officer who interrogated him. Pinning the helpless man to the ground, he snatches the black walking stick out of his hand. As he holds it in front of him, he snarls a single word:
"WHERE?!"
Terrified, the officer replies "Corinth Road!", and Talbot leaves him alive as he bounds off into the distance toward Corinth Road.
Sure enough, Montford and his men are making camp upcountry, near Corinth Road. As Talbot makes his way to the camp, the sun eventually rises, restoring his human form. Still, he charges forward, determined to kill Montford at all costs.
With his clothes shredded by his transformation, Talbot creeps into the camp when night falls again, and he manages to steal a spare Confederate uniform from a sleeping soldier's pack. In disguise, he sneaks into Montford's tent with a pistol in hand, prepared to shoot him on the spot.
To his surprise, Montford stays completely calm when he sees him, and gives him a knowing smile.
"I had a feeling you'd find me, one of these days. You never stop. Neither would I, if somebody had done to me what I did to you. Don't worry, Talbot. I don't blame you for turning that gun on me. An animal can't tame his instincts. I suppose only one of us is leaving this tent alive."
Confused, Talbot demands to know why Montford is accepting his fate so calmly.
"You've got the rage of a wild beast in you, son," Montford says. "So do I. That's why I let you live. Even a wolf can sense a kindred spirit."
Horrified, Talbot flashes back to the night in the forest when the wolf bit him, and he realizes that Montford was the wolf all along. Montford is a werewolf, and he carries the wolf-head cane because he came to terms with his beastly nature long ago, and now accepts it as a part of who he is. That night, he recognized Talbot as the son of the man he killed, and he chose to pass on his lycanthropy to him rather than killing him, believing that he deserved a chance to take his revenge.
As Talbot realizes the truth, Montford changes into his lupine form and prepares to fight him—since he has years of experience in using his abilities, and he no longer needs the power of the full moon to become a werewolf. Talbot futilely tries fight him off with his pistol, but Montford goads him on, telling him to surrender to the wolf's instincts and embrace his true self.
Flashing back to the night that his father was killed, Talbot finally loses control of his anger and feels his animalistic side overtaking his mind. As he becomes a werewolf again, he squares off with Montford in an epic one-on-one battle. He sustains multiple serious injuries in the fight, but ultimately manages to slash his throat with his claws, killing him.
Just at that moment, Talbot's Union comrades finally arrive at the camp after days of chasing the Confederates. When they find Talbot—now a werewolf—standing over Montford's bloodied corpse, they surround him and open fire. Now fully lost to his werewolf instincts, Talbot charges at his old friends, attacking them as ferociously as he attacked the Confederates.
After taking multiple bullet wounds, Talbot is finally forced to flee, but the Union soldiers pursue him through the forests. As word spreads of a wild beast on the loose, Talbot finds himself chased by more soldiers every day, and he's forced to flee into the Appalachian highlands to escape them. After weeks on the run, moving further north with every day, he eventually finds himself in the thick evergreen forests near the Canadian border, where the weather grows bitterly cold. Finally, after going days without food, Talbot reverts to his human form as he collapses in the forest from exhaustion, accepting that he can run no longer.
But as he waits to die, Talbot is approached by a tall figure in a battered leather overcoat, whose face is hidden by a thick hood. The mysterious figure gathers him in his arms and carries him off to a nearby cabin, where he wraps him in animal skins and brings him food.
As soon as Talbot wakes up, we get a good look at his rescuer, and we see that it's none other than Frankenstein's Creature! Forty decades after escaping Prodigium, the Creature is still alive and well, and living a life of seclusion in the Canadian wilderness.
As he regains his strength, Talbot breaks down in tears as he realizes what he did. He's gotten his revenge, but he fears that he's lost his humanity in the process.
"I'm a monster..." he sadly laments.
The Creature puts a comforting hand on his shoulder.
"They called me a monster once, too. But it doesn't matter. Even a monster has a soul, and even the most troubled soul can find redemption. You'll find yours too, even if the journey is longer than you'd like. There are darker things in this world than the empty space in your heart, friend."
Reflecting on all that he's seen and done, Talbot ventures outside the cabin and takes in the unspoiled beauty of the forest, realizing that the woods are now his only home. But as long as he has at least one friend, perhaps they're not such a bad home...
But after the credits roll, we see a mysterious dark-haired man creep through the shadowed pathways of the Carpathian Mountains, making his way towards the rubble of Castle Dracula. As he approaches the ruined castle, a familiar voice speaks to him from the depths of the castle's crypt. It's the voice of Dracula—who's still alive after all these years, and hungry for revenge.
"It's time, Renfield, he says. "The Dark One hungers for sacrifice. But he has other servants than me. Go to Egypt. In the Temple of Set, you'll find the one who will join us. With him on our side, the armies of the dead will be unstoppable!"
At the Mediterranean coast, Renfield boards a steamship headed for Egypt, and the screen goes dark...
TL;DR: The films are all set in different historical periods, building up to a four-way battle between Dracula, the Wolf Man, the Mummy and Frankenstein's Monster. The overarching villain is a figure known as "The Dark One" (also known as "Lucifer" and "Set"), who lurks in the background.
Dracula Untold: In 15th century Transylvania, the warrior prince Matthias Corvinus embarks on a quest to confront his rival Vlad (aka "Dracula") after witnessing a series of vampire attacks, and he discovers that Vlad has pledged his soul to Lucifer in exchange for eternal life. In the finale, Vlad's castle is destroyed by the armies of the Ottoman sultan, temporarily defeating him.
The Mummy Unconquered: During Napoleon Bonaparte's invasion of Egypt in 1798, French soldiers attempt to steal a powerful Egyptian artifact, but accidentally unleash the undead priest Imhotep and his army of mummies, who answer to the god Set. In the finale, Napoleon's army battles Imhotep's undead legions in a massive battle sequence, and one of Napoleon's German commanders is revealed to be Baron von Frankenstein.
Frankenstein Unchained: Baron von Frankenstein's son Victor leaves home to study medicine at the shady Ingolstadt University, where his roommate Igor Waldman invites him to join the clandestine mystic cult "Prodigium". When Victor creates his Creature (aka "Adam"), he discovers that Prodigium actually wants to use him as a living vessel for "The Dark One", who they worship. In the finale, Victor sacrifices himself to save Adam from Igor, and Adam flees Europe in a steamship.
The Wolf Man Untamed: During the American Civil War, Kansan farmboy Lawrence Talbot joins the Union Army in hopes of finding the Confederate soldier who killed his father, but he finds himself bitten by a werewolf while stranded in the woods during a battle. He ultimately gets the revenge that he seeks, but nearly loses his mind to his new animal instincts, forcing him to flee into the wilds of Canada to escape his old comrades. In the finale, he is taken in by a mysterious forest-dwelling hermit, who turns out to be Frankenstein's Creature.
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